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CITIZEN HOLLYWOOD

HOW THE COLLABORATION BETWEEN L.A. AND D.C. REVOLUTIONIZED AMERICAN POLITICS

A superficial and unconvincing account that does little to inform readers of the dangers of political reciprocity.

A British journalist examines the long, troubled romance between Hollywood and America’s political capital.

Stanley (The Crusader: The Life and Tumultuous Times of Pat Buchanan, 2012, etc.) probably meant well with this name-dropping argument that glamorous movie star activism is the key to understanding arcane Washington, D.C., politics. Unfortunately, this poorly sourced, facetious narrative is more indicative of the author’s politics than the nation’s. You have to give him credit for coverage, in that he goes all the way back to old-school Hollywood to examine how moguls like Louis B. Mayer and the Warner brothers traded popularity for political gain. From there, Stanley resurrects the well-worn stories of the Rat Pack’s support of John F. Kennedy and the plethora of celebrities who supported Sen. George McGovern’s spectacularly unsuccessful bid to defeat Richard Nixon, as well as a glancing blow at Arnold Schwarzenegger’s tenure as governor of California: “If only life was more like the movies,” the author writes, summarizing California’s monetary woes. However, most of the book tends to skew toward modern political movements, largely focused on President Barack Obama. In the opening chapter, the author poses the candidate as Batman versus a Mitt Romney as the villain Bane, and he includes an introductory dissection of the infamous “empty chair” incident instigated by that rare celebrity conservative Clint Eastwood at the Republican National Convention, which lends itself to a discussion later on of the cowboy mythology popularized by Ronald Reagan and others. Criticisms of TV shows like The West Wing (an idealized liberal White House) and Modern Family (Hollywood’s so-called gay agenda) come off even more poorly than their celebrity-studded film counterparts. Elsewhere, Stanley shoehorns in references to franchises like Twilight and Harry Potter with little political relevance.

A superficial and unconvincing account that does little to inform readers of the dangers of political reciprocity.

Pub Date: May 13, 2014

ISBN: 978-1-250-03249-2

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 1, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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