A sprawling collection of recipes with a lot of heart but one that could have been streamlined.
A seasonal cookbook that offers up diverse recipes with historical context.
In early 2020, food writer Weisblat was compiling a book on foods for funeral receptions, but as the Covid-19 pandemic descended, she focused instead on potluck meals and their warm, communal nature. This cookbook organizes recipes into three-month sections of the year, taking into account seasonal produce: Spring recipes include chives and asparagus, for example, while autumn and early winter recipes feature pumpkin and apple. Weisblat, who has a doctorate in American studies from the University of Texas at Austin, fleshes out some recipes with references to history. For example, she expands on the origins of the French Galette des rois (or “Kings’ Cake”) and traces the popularity of peanuts back to the work of agricultural scientist George Washington Carver. The recipes are culturally wide-ranging; many have a New England bent (Weisblat is based in Massachusetts), while others tackle Lunar New Year dumplings, Mexican tortilla soup, and the author’s own cross-cultural Samosa Latkes. Weisblat’s tone is warm and conversational: “Zucchini are cheap, and they’re good for you. As my Jewish grandmother used to say, ‘What’s not to like?’ ” The recipes are thorough, often offering taste or dietary modifications, which are welcome. However, the historical asides sometimes ramble, as during several pages about anchorman Walter Cronkite or an anecdote about author Lillian Hellman being “just plain mean” at the author’s senior commencement. Photos don’t accompany every recipe, and the ones present have a pixelated quality. This, coupled with the author’s admission that recipes “were in a sense chosen randomly,” makes the book feel slapdash or overstuffed at times. Still, Weisblat’s down-to-earth approach is endearing.
A sprawling collection of recipes with a lot of heart but one that could have been streamlined.Pub Date: N/A
ISBN: 978-0-9742741-5-7
Page Count: 160
Publisher: Merry Lion Press
Review Posted Online: Aug. 5, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
