A constellation of characters whose idiosyncrasies make the family of Little Miss Sunshine look like Ozzie and Harriet.
Baz Madison, legendary ’70s rock musician of the Bazmanics, dies young and leaves a son, Jack, who inherits the town house of the title, a rambling four-story brownstone on Boston’s Beacon Hill, but 30 years later, when Baz’s royalty checks begin to dry up, Jack is left without much income (he’s a high-end color consultant who’s only interest is blending the “perfect” white) and an albatross of a house. Trouble is, Jack’s an agoraphobe, a condition greatly deplored by his 17-year-old son Harlan, who in honor of his late grandfather dresses only in ’70s garb because he’s decided that “the only real cool is uncool.” The house goes on the market, but Jack (called “Hermit Boy” by the neighbors) not only doesn’t want to leave—he can’t leave, especially since he’s developed nifty compensations for agoraphobia like the Groper, a contraption made of hockey stick, hanger and tape that allows him to get the morning newspaper without leaving the porch. Dr. Myron Snowden, Jack’s psychiatrist, periodically visits him at home but is unable to help. Only two characters are able to call forth Jack’s deeper humanity and desperate desire to overcome his isolation: Lucie, his precocious ten-year-old neighbor, who has aspirations of Olympic glory in ice-skating, and Dorrie Allsop, the realtor who lists the town house and whose debilitating and unsuccessful strategy consists of pointing out the flaws in a house because she believes the good points will take care of themselves.
While the humor tends to be self-conscious and pedestrian, Jack ultimately learns the serious lesson that “the deeper you hide yourself away the harder it becomes to come out.”Pub Date: May 8, 2007
ISBN: 978-0-06-113131-8
Page Count: 304
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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PROFILES
PERSPECTIVES
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Categories: GENERAL FICTION | FAMILY LIFE & FRIENDSHIP
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