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SAM AND THE CONSTRUCTION SITE

Readers will surely enjoy a few visits to this construction site.

Fascinated by its big machines, Sam spends his days peering into a construction site.

The young lad wonders whether he’ll ever get his hands on the steamroller and the cement truck, wondering longingly, “What if I could drive those machines?” Each time the construction workers eat lunch, the boss tasks Sam with two big responsibilities: he must stay at the gate and prevent anyone from entering the site and call the police if anyone does. During lunchtime one day, two older kids tease Sam and convince him to enter the construction site just as a suspicious car with shadowy occupants passes nearby. “All right,” says Sam. “I’ll go in, but then you must call the police.” Through a strong union of words and pictures, Veldkamp and Hoogstad construct an understated, slyly subtle narrative full of joy and charm. Once Sam enters the construction site, he sets off a string of seemingly bewildering actions. He flattens the mysterious car, pours concrete in front of the local bank, and uses the crane to lift up the police car on its way. The illustrations—figures and machinery constructed with smooth, rounded lines and brush strokes of color—contrast nicely against white backdrops. Here the book’s tall portrait orientation provides ample space for Sam’s antics, which put an end to a bank robbery. Sam, it turns out, is a hero. All the characters, robbers included, in this Dutch import are white.

Readers will surely enjoy a few visits to this construction site. (Picture book. 3-8)

Pub Date: April 1, 2016

ISBN: 978-1-935954-49-1

Page Count: 32

Publisher: Lemniscaat USA

Review Posted Online: Feb. 1, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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GOING PLACES

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted.

Imagination soars—quite literally—when a little girl follows her own set of rules.

Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.

Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)

Pub Date: March 18, 2014

ISBN: 978-1-4424-6608-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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