by Tjibbe Veldkamp & illustrated by Philip Hopman ‧ RELEASE DATE: Nov. 1, 2011
Sublime
A small boy's imaginative play tames his father’s fears.
Dutch author Veldkamp (Little Monkey's Big Peeing Circus, 2006) revisits the circus theme to gentler effect. Tom, desperate for his father’s attention, builds first a snail trapeze and then a squirrel circus, but his father’s fear of animals keeps him indoors. Tom needs a new show, so he heads to "Paws, Claws, Beaks & Bugs," where he announces himself as Tom the Tamer and asks if there are any animals that still need to be tamed. Hamster? Small dog? "I was thinking of a polar bear," says Tom. His knack as a tamer soon has an affable bear lending its furry self to Tom's circus, disguised in its off time as a piece of furniture. The new comfy chair by the fire is joined by flamingo drapes, an octopus chandelier and a three-hippo sofa, all wearing hiding-in-plain-sight looks of nonchalance. In on the game, and in a nod to Tenniel, is a white rabbit. The show is about to begin. But will it work? The father, finally the strong man that Tom needs, throws caution to the wind as he finds joy in an exuberant circus pyramid. Hopman’s luminous double-page spreads of soft watercolor and loose pen-and-ink lines lend humor to this multilayered story. Children will pick up subtle clues in the illustrations to the source of the father's emotional distance and the healing power of play.
Sublime . (Picture Book. 4–7)Pub Date: Nov. 1, 2011
ISBN: 978-1-9359-5405-7
Page Count: 32
Publisher: Lemniscaat USA
Review Posted Online: Nov. 6, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Tjibbe Veldkamp ; illustrated by Alice Hoogstad ; translated by Ineke Lenting
by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
BOOK REVIEW
developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
BOOK REVIEW
by Ashley Spires ; illustrated by Ashley Spires
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
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