A love story that’s anything but robotic.
McBeth’s author/illustrator debut is an unlikely love story.
Robot’s routine day—unplug, eat a slice of bread, leave when its wristwatch beeps—is interrupted when it sees her on Electric Avenue (yes, really). While readers aren’t privy to her identity until the end, they do get clues: She’s shiny, their connection is “electric,” and their meeting spot seems to be a store window. Meanwhile, bowtie-and–business-suit–clad Robot’s life is changed forever. It has hearts for pupils, it doesn’t watch where it’s going, it sniffs flowers and jumps in puddles (not recommended for robots), its “hydraulic limbs felt weak.” It spends an evening making her some flowers out of old metal parts, but she’s gone from their meeting place. Its robotic systems fail to detect her anywhere (though readers will laugh at the language used to describe this: “scanning…negative”). But then it gets an idea and runs back to the store, this time going inside, where it finds its own true love. Sure, she doesn’t say a word and people give them strange looks, but Robot doesn’t seem to care. “We have so much in common. We’re both shy. We’re both shiny. // We both love toast.” The black, white, gray, pink, and red artwork is angular and stylized, suiting the high-tech subject matter, and McBeth has found a way to give a metal robot a heart and feelings through body language and facial expressions.
A love story that’s anything but robotic. (Picture book. 4-8)Pub Date: Dec. 24, 2018
ISBN: 978-1-250-18593-8
Page Count: 40
Publisher: Godwin Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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