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BABAYAGA

Great reading for a flight to Paris. Just stay away from witches, bathtubs and maybe the Metro once you get there—oh, and...

Mix up Mad Men, Russian folklore, James Bond, An American in ParisGorky Park and maybe a hint of Franz Kafka, and you get something like, well, this decidedly odd and most entertaining sophomore novel by Barlow (Sharp Teeth, 2008).

Will Van Wyck is anything but an ugly American, but he’s a bit at sea in the City of Lights. An adman par excellence back home, he’s been slowly stripped of his accounts, ignored at brainstorming sessions where his French counterparts are hopping about to jingles of “Chase your pimples away. Chase your pimples away.” But pimples dissolve, and so do mortals, in the face of the supernatural, as represented by the dazzling, chest-heaving Zoya, whose lover wonders how it is that she manages to stay so young; she hasn’t changed a day since the liberation—or, for that matter, since the Franco-Prussian War, for all we know. Zoya’s got the zazzle of immortality thanks to being turned by a resourceful and oftentimes very bad witch named Elga, who turns up in the story just when mischief is needed, as when said lover winds up in the great beyond and a police detective makes his way to her door, only to be turned into a flea for his troubles. Naturally, Will meets Zoya. Naturally, she puts the zap on him: “There was an essence to her gaze—the way her eyes connected with his—that took the simplest words in his mind and effortlessly broke them down into small, useless heaps of letters.” Meanwhile, Will’s best pal in Paris turns out to be a CIA spook, and there’s all kinds of hijinks to be had there, as, undeterred, Inspector Vidot tours the demimondes of Paris by hitching rides on mangy critters, and Zoya stays a step ahead of the law, the KGB and everyone else who’s got an interest in her wiles. Barlow’s story is goofy, wholly original and a lot of fun, and he ably captures the feel of both the gray 1950s and free-spirited France.

Great reading for a flight to Paris. Just stay away from witches, bathtubs and maybe the Metro once you get there—oh, and spooks, too.

Pub Date: Aug. 6, 2013

ISBN: 978-0-374-10787-1

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 17, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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