An affecting testimonial to the power of action and of storytelling—to say nothing of a good right hook—to make real change.

12 ROUNDS IN LO'S GYM

BOXING AND MANHOOD IN APPALACHIA

Spirited memoir of life in a West Virginia backwater, where fight clubs keep youngsters from going off the rails.

It was a kid named Noah Milton—or maybe “his name was Noah and he was from Milton, West Virginia”—who was, writes Snyder (Rhetoric and Writing/Siena Coll.; The Rhetoric of Appalachian Identity, 2014), “the first person to kick my ass.” It wouldn’t be the last ass-kicking he received at the hands of beefy rednecks while standing up to his opponents in the rings of his father’s gym. He got knocked down, and he got up, always remembering his dad’s advice: “when you crawl through the ropes, you can’t hide from the truth,” whether it reveals you to be a fighter or a coward. Steeped in English literature, Snyder views the contest through a refined lens. While thinking of Beowulf, for instance, he recounts one neighbor, a “dope-smoking hippy” who bought the ring where Larry Holmes fought a storied bout, then had it painted red. A college friend is likened to Frankenstein’s monster, and he to the good doctor himself, since Snyder, delivered from temptation by virtue of logging time wailing the tar out of his contemporaries, was teaching the young man his tricks. “He was the type of guy who’d find a fight if one didn’t come looking for him,” writes the author appreciatively. Snyder has succeeded in melding the worlds of literature and the sweet science. As he writes, his first college essay was on how Joe Louis figured in Maya Angelou’s I Know Why the Caged Bird Sings, even as his father, who hit on the idea of boxing as a means of warding off juvenile delinquency, earned honor for his contributions at Lo’s Gym. Though the circumstances and surroundings are grim in meth-lab coal country, Snyder retains a pleasing but not Pollyannaish optimism throughout.

An affecting testimonial to the power of action and of storytelling—to say nothing of a good right hook—to make real change.

Pub Date: March 1, 2018

ISBN: 978-1-946684-12-7

Page Count: 240

Publisher: West Virginia Univ. Press

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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