An evocative but slight fantasy about artists seeking fulfillment through art and faith.

The Sapphire Song

A parable about two young people drawn together by spiritual affinity.

In this short book by Pedersen (Sophia, 2013, etc.), set in a vaguely medieval place and time, an illiterate young man named Metaxaeus, working in a village with his parents and friends, is an instinctively, supremely talented sculptor. He knows “how to take from that fountain within and to soak up its knowledge and then how to communicate this truth through the medium of sculpting stone.” He’s mentored in this skill by a mysterious woman named Maya, who teaches him to “Learn with your whole soul how to carve in stone.” He keeps with him at all times a small sculpture of his own creation—an exquisite miniature bird carved from a jewel, which strikes even his workaday parents as life-changingly beautiful. Another exquisite, tiny sculpture is key to Pedersen’s other main character, a young woman named Akasha who lives in another village and has a nearly supernatural gift for storytelling (“she had learned to plunge deep into herself, and she saw things there, things she imagined that other people did not see”). When Metaxaeus decides to leave his village and travel to the capital city of his region, Pederson works to bring the two together in what turns out to be a lifelong spiritual journey. Overall, the author writes clearly and expressively. For example, the plot’s series of visions and revelations are followed by a cycle of prose poems called “The Stars in the Fall,” which continue the themes of revelation and serendipity that drive the main text (“Wisdom never works without a smile,” reads one typical line, “one which then bequeaths itself joyously to others”). But although the story’s main characters have enigmatic mentors and sympathetic natures, there isn’t much in the way of meaty dialogue. The book’s tone is also occasionally somewhat flat, and it relies too heavily on signs and wonders that may wear thin for readers who aren’t already enthusiastic about spiritual literature.

An evocative but slight fantasy about artists seeking fulfillment through art and faith. 

Pub Date: Oct. 28, 2014

ISBN: 978-1-4525-9745-4

Page Count: 112

Publisher: BalboaPress

Review Posted Online: Aug. 11, 2015

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SUMMER SISTERS

The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.

Pub Date: May 8, 1998

ISBN: 0-385-32405-7

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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