Komarnicki doesn’t spell things out, and his novel’s ambiguities thus become its greatest strengths.
A nameless soldier traverses the destroyed “unlandscape” of an unidentified war, and the mine-strewn territories of his own memory, in the industrious screenwriter-director’s third novel (Famine, 1997, etc.).
As we learn from terse fragments of juxtaposed narrative and recollection, the sardonic narrator accepted enlistment in lieu of imprisonment for numerous petty crimes and violent acts. He was subsequently placed in de facto solitary confinement, programmed to accept discipline and sent into combat in a place that may be a perpetually embattled Middle East. Surviving the firebombing of the abandoned hotel where his unit is quartered, he discovers among other survivors both his embittered superior officer (“R.”) and a fellow soldier (“Mc.”), who may have betrayed his companions. But neither man is who he seems; places in which the narrator finds himself fade and dissolve into other places; and figures from his past (his abusive father and passive mother, affectionate and dependent younger brother, the ex-wife he disappointed and lost) all assume rapidly altering accusatory forms. Komarnicki’s taut prose is generally vivid and seductive, enlivened by arresting figurative language (e.g., “memories lazy-Susaned by”). But the novel’s tone tends toward sonorousness and sententiousness, and there are arguably too many half-buried literary allusions (echoes of Dante’s Inferno and Ambrose Bierce’s classic story “An Occurrence at Owl Creek Bridge” are both unmistakable and oppressive; but the nicely detailed implicit picturing of the narrator as a battle-weary Robinson Crusoe rings both true and fresh). Many readers will also be reminded of Cormac McCarthy’s bleak allegorical novel The Road. But Komarnicki’s novel remains elusive, as its subtly handled climax keeps us wondering whether the narrator has hallucinated his last moments on a terminally scorched earth, or whether he can manage to survive the worst with which life can threaten him, by the simple expedient of having learned to value it.
Komarnicki doesn’t spell things out, and his novel’s ambiguities thus become its greatest strengths.Pub Date: July 1, 2008
ISBN: 978-1-55970-866-1
Page Count: 240
Publisher: Arcade
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2008
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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