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HOWARD HAWKS

THE GREY FOX OF HOLLYWOOD

A pleasingly thorough, if not critically groundbreaking, retrospective of the works and life of Hollywood's most versatile (and, to some cineasts, best) director. Hawks was born into a successful midwestern mercantile family. Detailing the level and range of their business successes, film critic McCarthy (King of the B's, 1975) suggests how the confidence bred in Hawks by his family's position strengthened his determination when he came to Hollywood: He wanted to work in a number of different genres, and he wanted to remain independent of the big studios. Despite the odds, he did. McCarthy focuses with great and admirable detail on Hawks's films. His life was rowdy and colorful (he was a womanizer and a gambler), and McCarthy communicates the essentials without ever losing focus on the director's artistry. Especially fascinating is the chapter on Red River, a blend of the requisite quotes on the previously untapped acting ability of John Wayne (e.g., Ford's ``I didn't know the sonofabitch could act!''), tales of sparring between Wayne and costar Montgomery Clift and Hawks's dissatisfaction with Joanne Dru, a concise analysis of the movie's importance to Hawks's artistic freedom, and not too much about the film's already much- discussed homoerotic intonations. Highlights from other chapters include fresh discussions of overlapping dialogue in the romantic comedies, recaps of the sometimes surprising public response to his films (too-cynical Twentieth Century was a box office dud), and end-of-chapter roundups of critical views of each film, notable for including not only reviews of the time but the opinions of film historians like Jeanine Basinger and little-known critics like Jean-Pierre Coursodon. Though the most enjoyable book on Hawks remains Joseph McBride's Hawks on Hawks, this is an essential complement to it and to studies by Wood, Wollen, and others. It portrays in wide-screen format a life until now presented only in sketches. (16 pages photos, not seen)

Pub Date: June 1, 1997

ISBN: 0-8021-1598-5

Page Count: 721

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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