Timid and superficial.

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THE SIXTH FORM

A teacher seduces a senior at a New England prep school.

Ethan Whitley is new at Berkley Academy in rural Massachusetts. The 17-year-old has transferred from California, where his parents are Stanford professors. His mother has cancer and wants to spare him her suffering. Ethan is not a good fit with the rich kids and the jocks, but he strikes up a friendship with Todd Eldon, who seems to have it all: a pretty, sexually experienced girlfriend and a sophisticated, moneyed background (his mother is a popular novelist in New York City). Underneath, however, Todd is as insecure as Ethan. He is attracted to the Californian’s smarts, and his body, for Todd’s sexual preferences are changing; soon he will dump his girlfriend and make advances toward Ethan, who’s not interested; he’s a virgin, but resolutely straight. Complicating the picture is 36-year-old Hannah McClellan, an English teacher who on the side bakes desserts for the local tearoom. In his second novel (The Trouble Boy, 2004), London-born Dolby tells two coming-of-age stories (one would have been enough) while focusing on teacher-student infatuation, a story line that stretches back to the 1953 Broadway hit Tea and Sympathy. Hannah likes them young and guess what, so did the school’s female founder, who also seduced a 17-year-old. Though sex is the core of the novel, Dolby is reticent about the details, deflecting attention to Hannah’s lurid past in Paris, where she made out with her stepson (her French husband had been cheating on her); the affair ended with the kid’s suicide. Nothing so melodramatic happens this time, though when Ethan tries to extricate himself from her suffocating intensity, Hannah uses her wiles to keep him, even faking pregnancy. When it’s clear not even her scrumptious blueberry cobbler will work, she abruptly leaves the school and is not heard from again, allowing Ethan to start over at Yale. Can healing and closure be far behind?

Timid and superficial.

Pub Date: Jan. 8, 2008

ISBN: 978-0-7582-2258-9

Page Count: 320

Publisher: Kensington

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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