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MAN ON THE RUN

PAUL MCCARTNEY IN THE 1970S

McCartney emerges as more admirable than many readers might have imagined—and more human, too. They’ll want to give his...

A close-up study of Paul McCartney’s first post-Beatles decade.

It’s one measure of how messed-up the music business is and of how competitive the former band mates were that John Lennon lamented, in the 1970s, that McCartney had amassed a $25 million fortune, much more than Lennon had. Lennon’s pile would quickly grow, though he would not live long enough to enjoy it all, thanks in part to the battery of lawsuits that McCartney fired off to get out of bad deals that the Beatles had signed over the years. By Q magazine contributing editor Doyle’s (The Glamour Chase: Maverick Life of Billy MacKenzie, 1998) account, McCartney left the Beatles bruised and bleeding—and with a penchant not just for a little of the grass he wrote of in “Get Back,” but also for countless bottles of whiskey. His depression cleared and his spirits improved when, holed up on his Scottish farm, he hatched the band that would become Wings, complete with wife Linda as keyboardist and vocalist—even though, as observers were quick to note, she couldn’t quite sing or play. Finding plenty of good to write about Linda all the same, Doyle looks behind the chipper, thumbs-up McCartney to find the complex personality beneath the image: He was an extraordinary musician beset by self-doubt, a countercultural hippie who also had a gift for square-jawed business. (His net worth is estimated at more than $1 billion.) Doyle’s asides are puzzling at times—the McCartneys were famously vegetarian, but he has them enjoying “hot biscuits and country ham”—but he manages to say something new about a public figure about whom countless thousands of books and articles have been written, and he says it well.

McCartney emerges as more admirable than many readers might have imagined—and more human, too. They’ll want to give his albums of the ’70s a fresh spin as well.

Pub Date: June 17, 2014

ISBN: 978-0-8041-7914-0

Page Count: 320

Publisher: Ballantine

Review Posted Online: May 16, 2014

Kirkus Reviews Issue: June 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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