The trick and true pleasure here are in the utterly ordinary context these extraordinary events occur in. Drury never misses...
From the Iowa heartland, Drury (The Black Brook, 1998, etc.) conjures a deceptively simple tale of a family and a weekend, during which the husband steals a gun, the wife runs away, the daughter gains a goat, and also a creepy admirer, the son waits for his mother—and life goes on.
Charles the plumber is a decent guy, maybe a little possessive of his wife, Joan, but on this October weekend he's really starting to come unglued over his late stepfather's shotgun, which the local minister's widow presently owns and won't part with, even though she doesn’t have a history with it, as Charles does. Joan, meanwhile, an exactress now focused on animal rights, flies to the city to give a convention speech to likeminded advocates, glad to escape from the oppressive routine and the latest wrinkle: her daughter, Lyris, now returned to her as a teenager after Joan gave her up as an infant. Lyris, raised in a string of foster homes, draws the weaselly eye of Follard, a young ne'erdowell who once set fire to his parents' house with them still in it. Innocent Micah is just trying to have a normal boyhood. Charles buys his stepdaughter a pet goat, then breaks into the widow's house to claim his gun, thereby getting more than he bargained for. Joan, followed on her trip by the town doctor, starts an affair with him and begins to wonder if she really even wants to go home. Follard takes a tipsy Lyris for a ride and then won't take her home, thus earning a visit from Charles, who trades a knife in the neck for the pleasure of breaking some of the weasel's ribs. Joan calls to say she won’t be back until spring.
The trick and true pleasure here are in the utterly ordinary context these extraordinary events occur in. Drury never misses a beat—the quiet moments dazzle as much the louder ones.Pub Date: May 5, 2000
ISBN: 0-395-94113-X
Page Count: 200
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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