Drury is a master at showing extraordinary things happening to ordinary people—and it’s always a fun ride.
A likable loser has his small-town life upended by vicious lowlifes and Twilight Zone weirdness in this sparkling fourth novel from Drury (Hunts in Dreams, 2000, etc.).
We first meet high-school junior Pierre Hunter while he’s visiting his girlfriend in the hospital. Soon afterward, she dumps him. He’s in college when his parents (elderly, eccentric, cherished) die within weeks of each other. Pierre does not retreat into self-pity, but it takes him five years to graduate. He finds work as a bartender at a supper club in Shale, Iowa, his hometown. Not everything that happens to Pierre is bad. Skating on a lake, he falls through the ice but is rescued by a beautiful young woman called Stella, who revives him in her little house on a bluff, where she lives alone. It’s like a fairy tale, thinks Pierre, not knowing that Stella and an old man, a kind of paranormal fixer, are using Pierre for their own ends. Stella is drawn to Pierre regardless, and they make love with abandon before he hitchhikes to California to vacation with his cousin’s family. Returning home, he gets a ride from Shane Hall, a career criminal who once burned down a house with a person inside. Luckily for Pierre, Shane is as much of a bungler as he is; his attempt to steal Pierre’s backpack ends with Shane unconscious and Pierre richer by thousands of dollars (he found the stash under the hood). He’ll send the money to a lost soul he met on the way out, but by now Shane and his partners are tracking him down. Drury ties up all the threads (Shane, the fire, Stella) with consummate skill; the climax comes the day Shale is celebrating “Bank Robbery Days.” The bittersweet ending is a perfect mix of light and dark.
Drury is a master at showing extraordinary things happening to ordinary people—and it’s always a fun ride.Pub Date: Aug. 1, 2006
ISBN: 0-87113-943-X
Page Count: 224
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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