by Tom Eidson ‧ RELEASE DATE: April 13, 1994
Adult western and first novel by the president and CEO of the PR firm Hill & Knowlton; film rights sold to Universal Pictures, with a screenplay by Larry McMurtry. All right, an adult western, but not a serious, epic adult western like McMurtry's Lonesome Dove. There's plenty of blood and daring in this tale, but no villain, since all action is morally grounded. Nat Swanson rides away from a west Texas town where he has killed a man in a fair fight. But the man's friends, believing him to have been shot in the back, set out to string up Swanson for murder. Pursued through Indian country in the parched New Mexico desert, Swanson comes across some wagons beset by Apaches. The wagons are manned by three nuns (a fourth is dead) who have rescued some children being held for ransom in Mexico. Swanson is tempted to go on, leaving the helpless folk to their deaths, but then joins their camp in a gully and helps the nuns hold off the Indians. The leader of the nuns is 67-year-old St. Agnes, who does not believe in killing Indians intent on killing her. Swanson finds himself in a moral bind, trying to save lives without killing anyone. Meanwhile, we join the Apaches and learn their motives for this attack. Although the Apaches have their own moral cat's cradle, they are nonetheless savages who enjoy torturing their victims. Will red magic, Apaches led by People of the Dream, prevail against black magic, the nuns praying in their shawls? Well, Eidson is not B. Traven, who would fearlessly lop our expectations off at the neck, but he does write clean and lean, with a hint of sage incense, and can strike a lingering chord. Should make mellow celluloid entertainment.
Pub Date: April 13, 1994
ISBN: 0-399-13915-X
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
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BOOK REVIEW
by Tom Eidson
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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