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THE CHRIS FARLEY SHOW

A BIOGRAPHY IN THREE ACTS

Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and...

Family, friends and colleagues remember the late Saturday Night Live star.

When legendary comedy-improv writer and instructor Del Close first saw Chris Farley perform, he commented, “Oh, that’s the next John Belushi.” That praise would prove prophetic in both a positive and a negative way: Like Belushi, Farley’s rapid rise to fame was attended by a lifelong battle with weight problems and substance abuse. In this moving oral biography, older brother Tom Jr. and former National Lampoon Radio Hour head writer Colby (co-author: Belushi, 2005) assemble a layered, in-depth portrait of both Farley’s professional and personal lives, culled from more than 130 interviews with dozens of his closest friends and confidantes. After quickly ascending through the ranks of ImprovOlympic and Second City in Chicago, Farley landed his dream job at SNL—and later, starring roles in Tommy Boy and Black Sheep, among others. (Farley was also the original choice for the voice of Shrek, but his death led to the hiring of Mike Myers.) His colleagues universally recognized his talent, boundless energy and lust for life, but it quickly became clear that he was also battling demons that had been lingering since adolescence: Irish-Catholic guilt; addictive personality; the self-imposed pressure to please everyone around him, especially his father, who was extremely loving but also an obese alcoholic, enabling his son’s issues with alcohol. During the course of the ten years leading up to his death, Farley was in and out of various rehabilitation centers, at one point staying clean for three years. But he was unable to overcome his problems and died of an overdose in December 1997. The editors deserve credit for eliciting such heartfelt remembrances (not all of it positive) from an impressive list of celebrities—Alec Baldwin, John Goodman, Lorne Michaels, Conan O’Brien, Chris Rock, David Spade, Kevin Nealon, Rob Lowe, Al Franken, Penelope Spheeris and many more—but readers should also pay close attention to Farley’s family and friends, who get right to the heart of this flawed but humble, remarkably compassionate and enormously talented performer.

Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and simultaneously heartwarming and heartbreaking.

Pub Date: May 6, 2008

ISBN: 978-0-670-01923-6

Page Count: 344

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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