Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and...
Family, friends and colleagues remember the late Saturday Night Live star.
When legendary comedy-improv writer and instructor Del Close first saw Chris Farley perform, he commented, “Oh, that’s the next John Belushi.” That praise would prove prophetic in both a positive and a negative way: Like Belushi, Farley’s rapid rise to fame was attended by a lifelong battle with weight problems and substance abuse. In this moving oral biography, older brother Tom Jr. and former National Lampoon Radio Hour head writer Colby (co-author: Belushi, 2005) assemble a layered, in-depth portrait of both Farley’s professional and personal lives, culled from more than 130 interviews with dozens of his closest friends and confidantes. After quickly ascending through the ranks of ImprovOlympic and Second City in Chicago, Farley landed his dream job at SNL—and later, starring roles in Tommy Boy and Black Sheep, among others. (Farley was also the original choice for the voice of Shrek, but his death led to the hiring of Mike Myers.) His colleagues universally recognized his talent, boundless energy and lust for life, but it quickly became clear that he was also battling demons that had been lingering since adolescence: Irish-Catholic guilt; addictive personality; the self-imposed pressure to please everyone around him, especially his father, who was extremely loving but also an obese alcoholic, enabling his son’s issues with alcohol. During the course of the ten years leading up to his death, Farley was in and out of various rehabilitation centers, at one point staying clean for three years. But he was unable to overcome his problems and died of an overdose in December 1997. The editors deserve credit for eliciting such heartfelt remembrances (not all of it positive) from an impressive list of celebrities—Alec Baldwin, John Goodman, Lorne Michaels, Conan O’Brien, Chris Rock, David Spade, Kevin Nealon, Rob Lowe, Al Franken, Penelope Spheeris and many more—but readers should also pay close attention to Farley’s family and friends, who get right to the heart of this flawed but humble, remarkably compassionate and enormously talented performer.
Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and simultaneously heartwarming and heartbreaking.Pub Date: May 6, 2008
ISBN: 978-0-670-01923-6
Page Count: 344
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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