by Tom Fitzgerald & Lorenzo Marquez ‧ RELEASE DATE: March 3, 2020
Part history lesson, part appreciation for the LGBTQ movement and a show that continues to thrive because of it.
How the reality TV show RuPaul’s Drag Race both draws on and influences ideas and inspiration from the LGBTQ community at large.
The LGBTQ community has come a long way, write married bloggers Fitzgerald and Marquez (Everyone Wants To Be Me or Do Me, 2014). It is no longer bound by outdated laws restricting men’s clothing choices or being declared mentally ill. Here, the authors focus on a unique, historically defiant subculture of gay life: drag queens. They spotlight liberators and “street queens” like Marsha P. Johnson and Sylvia Rivera, who, when faced with the “attempted social genocide” of their demographic, openly confronted and defied designated societal norms and demanded their rights. Elsewhere, the authors celebrate the pivotal personalities who have impacted LGBTQ life through outreach, activism, or within their own personal devotion to drag culture—e.g., Charles Pierce, Jim Bailey, Divine, Leigh Bowery, Lypsinka, and José Sarria, among many others. The authors consistently cross-reference a host of LGBTQ cultural touchstones (“Herstory” lessons) with Drag Race and how it continues to represent queer culture. Fitzgerald and Marquez are generous with show references, sketch and lip-syncing challenge analyses, and how contestants on the show have drawn either acclaim or derision (or both) through their on-air interactions. A description of the show’s Speedo-clad “Pit Crew” dovetails with a discussion on desire and male physique, and the authors compare queens mastering the “art of shade” with the “reading” performers in the 1991 drag documentary Paris Is Burning. Informative, entertaining, melodramatic in its obsessiveness, and written with equal amounts of insight and wit, the book serves as a commemorative archive of drag in American life. Younger LGBTQ readers and RuPaul devotees will most appreciate the authors’ dedication to accurately chronicling the movement, detailing how race and gender blend harmoniously within the drag culture, and the minute details of a colorful and often controversial show that continues to mature.
Part history lesson, part appreciation for the LGBTQ movement and a show that continues to thrive because of it.Pub Date: March 3, 2020
ISBN: 978-0-14-313462-6
Page Count: 288
Publisher: Penguin
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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BOOK REVIEW
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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