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LEGENDARY CHILDREN

THE FIRST DECADE OF RUPAUL'S DRAG RACE AND THE LAST CENTURY OF QUEER LIFE

Part history lesson, part appreciation for the LGBTQ movement and a show that continues to thrive because of it.

How the reality TV show RuPaul’s Drag Race both draws on and influences ideas and inspiration from the LGBTQ community at large.

The LGBTQ community has come a long way, write married bloggers Fitzgerald and Marquez (Everyone Wants To Be Me or Do Me, 2014). It is no longer bound by outdated laws restricting men’s clothing choices or being declared mentally ill. Here, the authors focus on a unique, historically defiant subculture of gay life: drag queens. They spotlight liberators and “street queens” like Marsha P. Johnson and Sylvia Rivera, who, when faced with the “attempted social genocide” of their demographic, openly confronted and defied designated societal norms and demanded their rights. Elsewhere, the authors celebrate the pivotal personalities who have impacted LGBTQ life through outreach, activism, or within their own personal devotion to drag culture—e.g., Charles Pierce, Jim Bailey, Divine, Leigh Bowery, Lypsinka, and José Sarria, among many others. The authors consistently cross-reference a host of LGBTQ cultural touchstones (“Herstory” lessons) with Drag Race and how it continues to represent queer culture. Fitzgerald and Marquez are generous with show references, sketch and lip-syncing challenge analyses, and how contestants on the show have drawn either acclaim or derision (or both) through their on-air interactions. A description of the show’s Speedo-clad “Pit Crew” dovetails with a discussion on desire and male physique, and the authors compare queens mastering the “art of shade” with the “reading” performers in the 1991 drag documentary Paris Is Burning. Informative, entertaining, melodramatic in its obsessiveness, and written with equal amounts of insight and wit, the book serves as a commemorative archive of drag in American life. Younger LGBTQ readers and RuPaul devotees will most appreciate the authors’ dedication to accurately chronicling the movement, detailing how race and gender blend harmoniously within the drag culture, and the minute details of a colorful and often controversial show that continues to mature.

Part history lesson, part appreciation for the LGBTQ movement and a show that continues to thrive because of it.

Pub Date: March 3, 2020

ISBN: 978-0-14-313462-6

Page Count: 288

Publisher: Penguin

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A WOMAN'S STORY

A love story, in other words, bittersweet like all the best.

As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.

The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.

A love story, in other words, bittersweet like all the best.

Pub Date: May 12, 1991

ISBN: 0-941423-51-4

Page Count: 112

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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CODE TALKER

A unique, inspiring story by a member of the Greatest Generation.

A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.

At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.

A unique, inspiring story by a member of the Greatest Generation.

Pub Date: Sept. 6, 2011

ISBN: 978-0-425-24423-4

Page Count: 320

Publisher: Dutton Caliber

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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