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WHEN MY BROTHER GETS HOME

The characters’ energy explodes from this endearing tribute to sibling interactions and affection.

What’s better than a big brother? A big brother who asks, “So what do you want to do?”!

A ponytailed little sister impatiently searches for any sign of the school bus. Propped against a tree, she anticipates the death-defying exploits she and her brother will embark upon—after feeding their loyal subjects. Will they ford the mighty Amazon, or will they find themselves locked in a fierce struggle against a snarling alligator? As the feisty sprite conjures up a round-the-world trip on their very own jumbo jet, the school bus is turning the corner…“MY BROTHER’S HOME!” Lichtenheld’s sibling lovefest launches right from the clever endpapers. The bus route is plotted in black dashes from the school to the tree—broken up halfway home by the story itself. As the refrain, “When my brother gets home,” is repeated, a childlike crayon drawing clues readers in to the bus’s progress. Each repetition is followed up by thought bubbles depicting their very next adventure—maybe it will be a daredevil plunge into a raging waterfall! From the striped, marmalade cat to the scruffy, up-for-anything dog, everyone is supercharged and ready to go—not a screen to be had on any of the pages. Both kids have brown skin and black hair, and their imaginations make their ordinary suburb quite extraordinary.

The characters’ energy explodes from this endearing tribute to sibling interactions and affection. (Picture book. 4-7)

Pub Date: March 3, 2020

ISBN: 978-1-328-49805-2

Page Count: 40

Publisher: HMH Books

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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MANGO, ABUELA, AND ME

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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