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PUBLISHER

Full of tantalizing tidbits on some intriguing figures, though the brevity of his recollections may frustrate readers hungry...

Anecdote-packed memoir from the distinguished head of British publishing house Jonathan Cape.

Maschler has worked with an array of preeminent writers, and his memoir is bursting with tales of Salman Rushdie, Joseph Heller, Ian McEwan, Philip Roth—even John Lennon. The author begins by detailing his early life, which included a fortuitous piece of luck—and a heady induction into the publishing world—when he strolled into the New York Times offices and persuaded a member of the editorial staff to allow him, an unknown teenager, to pen an article. (More than 50 years later, he still has the clipping.) Vibrant illustrations from Quentin Blake are interspersed throughout, and these rough pen-and-ink sketches fit in well with the author’s clipped, staccato prose. When he’s not recalling letters from Roald Dahl or a gruff encounter with Kingsley Amis or even the time he dropped LSD with Allen Ginsberg, Maschler muses on various spats, including one with former friend Sebastian Walker, who poached 12 Jonathan Cape authors for his own imprint, Walker Books. Revelations concerning the publisher’s personal life surface only occasionally, although he does hint at times when he felt his position at Cape was under threat and also outlines a period he spent suffering from crippling depression.

Full of tantalizing tidbits on some intriguing figures, though the brevity of his recollections may frustrate readers hungry for more detail.

Pub Date: Feb. 1, 2007

ISBN: 0-330-48420-6

Page Count: 294

Publisher: Picador UK/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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