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DARK SONNET

An engaging, if sometimes dauntingly complex, whodunit.

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In McCarthy and Dohar’s thriller, an ex-cleric and his friend must solve a poetic puzzle that may be connected to multiple murders.

Myles Dunn, a former Jesuit priest (and “self-professed adrenaline junky…who happens to be a polyglot with an advanced degree in world religions”), is lured back to his alma mater by his “one-time fellow Jesuit and best mate,” Jeremy Strand, with an email that promises the solution to a mystery. Upon his arrival in Oxford, England, from Colorado, he finds a community rattled by the horrific murder of an altar boy, which bigots believe was committed by someone from the local Muslim immigrant community. Strand, an esoteric Jesuit and poetry scholar, has discovered a hidden meaning in one of Gerard Manley Hopkins’ lost “dark” sonnets. Specifically, he believes that Hopkins, a fellow Jesuit and brilliant and idiosyncratic Victorian poet, wrote this poem in an effort to reveal the “quasi-historical legend” of the Cuxham Chalice, a priceless artifact from the time of the Lumen, a secret religious sect founded during the reign of King Henry VIII. When Strand goes missing—and another murder, similar to the first, is committed—Myles and Oxford librarian Eva Bashir must race to solve the poetic riddle and find out who’s behind the crimes. They soon discover that the culprit will go to any length to keep their secret hidden. Fans of Dan Brown’s historical thrillers, particularly the bestselling The Da Vinci Code(2003), are likely to best appreciate McCarthy and Dohar’s dive into the complex and mysterious history of “the self-proclaimed ‘keepers of the Grail.’ ” The plot’s use of the work of Hopkins, a complicated author who often invented his own words, gives readers a clever character to explore. However, the intricate poetic devices at play, which include reverse acrostics, sprung rhythm, sestets, and octets, may be confusing to those who are unfamiliar with serious study of formal poetry. That said, it remains an intriguing thriller to the end.

An engaging, if sometimes dauntingly complex, whodunit.

Pub Date: June 24, 2022

ISBN: N/A

Page Count: 426

Publisher: De Profundis Books

Review Posted Online: June 28, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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