A round-Robbins on the themes of scent, so-called "floral consciousness," and immortality—skipping through time and space, but offering a little old-fashioned storytelling charm along with the usual cute/hip doodling. In one of the two parallel plot-lines here, Robbins juggles the separate attempts of various parfumiers around the world to come up with a perfume (upon a jasmine base) that will outenchant any previous concoction: Madame Devalier in New Orleans is feverishly experimenting; so is her adopted daughter Priscilla in Seattle; and the megs-company LeFever is also hard at work in Paris. Meanwhile, in the other main plot, we follow King Alobar—a Dark Ages hero—through his global wanderings: he eventually reaches India, meeting a widow named Kudra; both of them are in flight from Death; and both eventually, through the direct intervention of the decrepit god Pan, actually achieve immortality—even learning how to capture the immortality-essence in bottled-liquid form. So ultimately, of course, these two plot-strands will link up—as Alobar time-travels up to the present, providing the evolutionary missing-link to "floral consciousness". . . and teaming up with a Timothy Learylike outlaw scientist, Dr. Wiggs Dannyboy, who adds a bit of new-age theory to Robbins' usual flower-power rhetoric. ("Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.") As in all of Robbins' novels, there is much that's juvenile and insufferable here: terminally cute asides and many, many groaners—e.g., "a populace that was beginning to put Descartes before des horse." Still, the mundane/exotic enterprise of making perfume offers a rich basis for Robbins' half-credible, half-cartoonish explorations. And, thanks to its lively sweep through time and geography, this may be his most agreeable book ever: relaxed, readably sequential, goofily lyrical—with some feather-weight appeal for non-fans as well as the usual Robbins readership.
Pub Date: Dec. 1, 1984
ISBN: 0553348981
Page Count: 356
Publisher: Bantam
Review Posted Online: April 9, 2012
Kirkus Reviews Issue: Nov. 15, 1984
IN THE NEWS
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.
The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.Pub Date: Feb. 1, 2001
ISBN: 0-670-89478-8
Page Count: 864
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
PERSPECTIVES
A fiercely written, deeply upsetting, and beautifully human novel.
The brutal murder of a 15-year-old boy during the 1980 Gwangju Uprising becomes the connective tissue between the isolated characters of this emotionally harrowing novel.
In May 1980, student demonstrations ignited a popular uprising in the South Korean city of Gwangju. The police and military responded with ruthless violence, and Han (The Vegetarian, 2015) begins her novel in the middle of a disorienting atmosphere of human-inflicted horror. While searching for a friend, a young boy named Dong-ho joins a team of volunteers who look after the bodies of demonstrators who were killed. He keeps a ledger with details on each corpse, pins a number to its chest, and keeps candles lit beside the ones with no family to grieve beside them. The details of this world seep off the page in a series of sickening but precisely composed images. Han’s evocation of savagery and grief is shockingly sensory and visceral but never approximate or unrestrained. Each character’s voice seems to ring in its own space, and though they are all connected by Dong-ho’s experiences in Gwangju, they exist in an uncanny isolation. The novel is divided into seven parts: six acts that each focus on a different character and an epilogue that pulls in the author herself. The parts shift in time from 1980 to 2013 and in point of view, making the reader intimate or complicit to different degrees with the voice of a dead person, a survivor of torture, a mother suffering from regret and memory. Han explores the sprawling trauma of political brutality with impressive nuance and the piercing emotional truth that comes with masterful fiction. In her epilogue she writes, “Soundlessly, and without fuss, some tender thing deep inside me broke.” Her novel is likely to provoke an echo of that moment in its readers.
A fiercely written, deeply upsetting, and beautifully human novel.Pub Date: Jan. 17, 2017
ISBN: 978-1-101-90672-9
Page Count: 224
Publisher: Hogarth
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
PROFILES
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