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POETRY MOTION

AN LP NOVEL

From the Franco series , Vol. 3

A smashing finale to an engaging, boldly written series about family ties.

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In this final volume of a trilogy, a New Jersey mixed martial artist preps for his final fight while his son aims for distinction with his second rap album.

Now in his mid-40s, Tonio Franco will be stepping into the MMA cage one last time. His opponent is the current bantam and featherweight champ, Lenny “Linc” Carrera—his nickname is short for “Lightning in a Cage.” Franco travels cross-country with his friend/trainer Joey, as the match is set in Los Angeles. Along the way is a stop in Las Vegas, near the residence of Randall Starks, the pedophile who years ago assaulted Franco’s then-teenage son, TJ. Now that Randall is out of jail after serving little—perhaps not enough—time, Franco plans to confront him with a Glock. TJ, meanwhile, is a 26-year-old rapper with a moderately successful debut album. The studio isn’t giving him much artistic freedom for his follow-up and pressures him into singing producer-approved lyrics. These include racial slurs for shock value. But TJ, whose orphan father’s origins are unknown, is “more Bieber than black.” As Franco struggles with both the 155-pound weight requirement and his moral predicament concerning Randall, TJ fights to record songs steeped in art rather than commercialism. Sheridan once again skillfully showcases his “lyrical prose,” in which narrative descriptions occasionally boast vibrant rhymes and/or wordplay. Franco, for example, had “an angry young man past where he was more goodfella than good fella.” But the poetic story also involves thoroughly absorbing characters. Enhancing the protagonists’ main objectives are smaller dilemmas: TJ and Linc are pals; Franco finds himself attracted to Joey’s assistant coach, Khloei, while the competitor’s wife, Julie, is back home in New Jersey. Notwithstanding the serious drama, this bracing tale has a superb, consistent sense of humor, particularly in the footnotes that are more wisecracking than informational.

A smashing finale to an engaging, boldly written series about family ties. (author bio)

Pub Date: June 18, 2020

ISBN: N/A

Page Count: 164

Publisher: Self

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: June 1, 2020

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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