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IN THE BEGINNING WAS THE SEA

In a cautionary tale with a familiar moral, the arresting prose and complex characters shine.

A couple purchases a dilapidated estate and moves to a remote region of Colombia in this short novel, originally published in 1983 and González's first to be translated into English.

The story opens with a fitting image: J. and Elena’s luggage is on the roof of a bus, surrounded by tropical commodities—“bunches of plantains, sacks of rice, blocks of unrefined sugar cane wrapped in dried banana leaves.” They have come to the finca seeking an escape from the pressure and pretensions of city life. At first, they are busy and relatively happy in their new home. Elena, who enjoys cleaning, begins the task of clearing the house while J. takes inventory of their material needs with the help of his overseer. In a short time, however, J. and Elena find themselves fighting dire financial straits , unrelenting winter rains and mounting tensions in their relationship. As that opening image reveals, they’ve carried all their baggage along with them. J. joins the lumber business, hiring men to destroy the forests he had found so beautiful. Ironically, the timber is often too poorly cut to yield a profit. Seeing this, J. believes the failed endeavor has “plunged him into an absurd vortex of senselessness and death.” Elena, for her part, is less troubled by the hypocrisy of their position. She frequently expresses contempt for the locals and has a barbed wire fence built around their property. As the story progresses, J. and Elena continue to frustrate their own dreams, heading toward certain catastrophe. The vivid language yields slightly to the heavy foreshadowing and ominous tone that dominate the end. Yet despite the unsurprising conclusion, the novel leaves its mark. 

In a cautionary tale with a familiar moral, the arresting prose and complex characters shine.

Pub Date: Feb. 24, 2015

ISBN: 978-1-78227-041-6

Page Count: 34

Publisher: Pushkin Press

Review Posted Online: Nov. 28, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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