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ESPERANZA

An often enthralling tale of how a strong family can withstand anything.

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Tutalo’s debut novel follows an undocumented Mexican immigrant who becomes entangled with a crime syndicate in order to survive in America with her young daughter.

To escape poverty in Mexico, Gabriela makes some hard choices. She begins her life in the United States as a drug mule, forced to pay off a debt to her drug trafficker boss, Salas, who punishes her for minor offenses, including tardiness. Gabriela eventually gets her own apartment in New Jersey, but she’s unable to hold a job, and, later, she becomes pregnant. She unfortunately receives assistance from Don Fernandez, a high-ranking official for Nada Mas, a criminal organization tied to drug running, human trafficking, and a pedophilia ring. She eventually manages to get out from under Fernandez’s thumb, which requires her to steal a few incriminating documents. She raises her daughter, Sarita, in solitude and the relative safety of the Garden State, but after some time, Fernandez and associates track her down, abduct her, and send her back to Mexico. Consequently, Sarita seeks help from a reclusive neighbor and struggling artist named Dante. He comes with his own bundle of problems, though, including an association with Bella Notta, a powerful man who blames him for his daughter Lola’s “loss of innocence.” Once it’s clear that Fernandez has sent people to eliminate Sarita, she and Dante flee, and the FBI is soon hot on their trails. Special Agents Alec D. Donovan and William W. Walsh not only uncover information about Dante, they also suspect that he kidnapped Sarita. Meanwhile, Dante and Sarita fight to stay alive. Tutalo’s story is epic in scale and set over quite a long period, starting with Gabriela as a little girl in Mexico and ending with an adult Sarita discovering her mother’s journals. Tutalo skillfully maps it all out in a nonlinear narrative, clearly establishing each scene even as the story bounces between different points in time. It maintains a consistent sense of momentum throughout, aided by short chapter lengths. Gabriela is appealing from the start, as when she helps a mother and child as they dash across the U.S.–Mexico border, disregarding the possibility that she could be captured herself. There are some touching moments, especially involving Gabriela and Sarita, but also a good amount of violence. One brutal attack against Gabriela, for example, is particularly alarming due to its suddenness and randomness. However, this pales in comparison to a later scene involving Dante and a secret room with chains, medical instruments, and much worse. Tutalo’s metaphors are occasionally too conspicuous; Gabriela, for example, has scars from cigarette burns, courtesy of Salas, which the author unnecessarily connects to an “emotional stain” and “darker time from Gabriela’s past.” Nevertheless, in many other instances, the lavish descriptions linger: “Everything that had once been was now forever gone, and everything that might be was now a blank canvas waiting to be painted.” And despite the book’s bouts of gloom, there’s an unmistakable message of hope that never fades.

An often enthralling tale of how a strong family can withstand anything.

Pub Date: Aug. 29, 2017

ISBN: 978-0-692-92245-3

Page Count: 578

Publisher: CreateSpace

Review Posted Online: Feb. 23, 2018

Kirkus Reviews Issue: May 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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