Teachers will appreciate Danza’s advocacy, and perhaps readers who know him from TV will be moved to consider the urgent...

I'D LIKE TO APOLOGIZE TO EVERY TEACHER I EVER HAD

MY YEAR AS A ROOKIE TEACHER AT NORTHEAST HIGH

Surprisingly thoughtful and passionate account of an actor’s turn at the helm of an urban high school classroom.

After his talk show was cancelled in 2007, Danza (co-author: Don’t Fill Up on the Antipasto, 2008) faced a late-career crisis. Weighing his options and feeling personally dissatisfied, he considered becoming a teacher, which led to his show’s producer pitching this as a reality TV concept. To his credit, the self-depreciating actor owns up to the obvious doubts readers may harbor about this book or the underwatched show behind it (A&E’s Teach). Initially nervous in the classroom, the affable yet hapless Danza understandably reverted to his chatty, ingratiating stage persona, which failed to impress students in Philadelphia’s largest high school. Fortunately, he remained open to advice from his more experienced peers and tried different approaches in the classroom. For many readers, his classroom may seem initially composed of various urban adolescent “types,” but they develop into fully realized characters due to Danza’s verve and care in discussing them. Danza is generous in praising the full-time teachers who, with some reservation, mentored him. The writing is slick and occasionally mawkish (in Danza’s telling, some dramatic classroom moments were punctuated by him bursting into tears), but the author has produced a real discussion of the challenges faced by American high school teachers, rather than merely a celebrity self-reflection. He approaches this project with heart, though his conclusions are grim: “many of those who went through orientation with me have already left the profession because of cutbacks, frustration, and/or their own economic necessity.”

Teachers will appreciate Danza’s advocacy, and perhaps readers who know him from TV will be moved to consider the urgent questions he raises.

Pub Date: Sept. 11, 2012

ISBN: 978-0-307-88786-3

Page Count: 272

Publisher: Crown Archetype

Review Posted Online: July 12, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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