BLUE LATITUDES

BOLDLY GOING WHERE CAPTAIN HOOK HAS GONE BEFORE

Tandem voyages taken 200 years apart: filled with history and alive with contrasts.

Pulitzer-winning journalist and travel-writer Horwitz (Confederates in the Attic, 1998, etc.), dogging the wake of Captain Cook, discerningly braids Cook’s long-ago perceptions with his own present-day inquiries into the lands the Captain encountered.

Cook made three epic voyages, sailing from Antarctica to the Arctic, from Australia to Alaska, and to many of the islands that lie between. Fascinated by the man and his accomplishments, Horwitz visits those far-flung lands where the impact of Cook’s arrival was more profound and lasting than the news of the lands’ existence was upon the Europeans back home. The author travels by sailboat and ferry, often in the company of his Australian chum Roger, an odd-fellow and contrarian of rare stripe who adds a comic counterpoint to Horwitz’s probings into attitudes toward Cook in the places he set anchor—attitudes that run the gamut from loathing to reverence. Natives for the most part revile him, though it’s a quirk of fate that the captain’s logs are now helping New Zealand’s Maori establish land claims. Horwitz’s portraits of the lands can be dispiriting: Bora Bora on the brink of environmental collapse, Tahiti gripped by ennui, Tonga feudal with feudal squalor and ill temper. But there are also innocent Niue and vibrant Hawaii and Australia—where Cook is sooner forgotten by all concerned. Of the navigator himself, Horwitz says that “his journals allow us to chart almost every one of his steps and sails, right down the minutest degree of latitude. But [he] left us no map to his own soul.” Still, he rises from these pages as a thoughtful and humane character sensitive to the men who served him and to the local populations he met, though “mutual incomprehension over notions of property and justice [plagued him] throughout his Pacific voyages” and in fact led to his death.

Tandem voyages taken 200 years apart: filled with history and alive with contrasts.

Pub Date: Oct. 2, 2002

ISBN: 0-8050-6541-5

Page Count: 416

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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