“What do you do when you know you are leaving the world?” The narrator, unnamed, asks the question because his brother Joey is dying. No going fishing or playing baseball this summer. As Joey worsens, the family becomes “dream walkers,” until Joey, watching Gram with her stitching, asks, “How do you make a quilt?” And Joey makes a quilt of his memories and things he loves. When Joey’s hair falls out in clumps, his brother shaves his own head to be bald too and he calls them “two bald baby balloons.” When Joey dies, his quilt is nearly done, just one last patch left; his brother stitches the final piece—two bald baby balloons. The language is poetically terse, the chosen words packed with meaning and allusion; e.g. “a gleam of guilt glided through my heart like a gleam of snake down a hole. Joey was sick but I was well.” The questions the brother asks are those of a child. To the question: “Who will care for me when I die?” Gram answers, “God will.” Moser’s dark gray illustrations of graphite on gray paper effectively convey the grief and sorrow and four, color illustrations in his familiar style punctuate the haunting images. Even though neither title nor cover suggests the serious topic, this will be sought for its inspiration and consolation. A loving, poignant story that will join the ranks of a handful of others, which, like Joey’s quilt with its last missing piece, help fill the gap for dealing realistically with its difficult subject. (Picture book. 5-9)
Pub Date: May 1, 2001
ISBN: 0-15-201585-X
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2002
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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