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ONE LAST STRIKE

FIFTY YEARS IN BASEBALL, TEN AND A HALF GAMES BACK, AND ONE FINAL CHAMPIONSHIP SEASON

A baseball exposé that keeps the focus squarely inside the ballpark.

With the assistance of St. Louis Post-Dispatch veteran baseball writer Hummel, former Major League Baseball manager La Russa dissects the game and his coaching style through the prism of the St. Louis Cardinals' improbable 2011 championship season.

Though he wasn’t a great player and spent most of his career in the minor leagues, La Russa found success with three different teams in both the American and National leagues and ended up as the third-winningest manager in the history of baseball before his retirement after the 2011 season. This is the fiery baseball guru's pitch-by-pitch account of that final season and how he successfully convinced an underachieving squad that they could climb back in the standings and win it all. The author largely eschews the interpersonal dramas often associated with America's pastime, instead focusing on his winning coaching process. That means an almost inning-by-inning deconstruction of key contests throughout the 2011 campaign. The approach will be familiar to die-hard baseball fans, especially those who fill out the scorecards for each game, but the venerable skipper throws a change-up here and there, harkening back to previous winning seasons with the Chicago White Sox and the Oakland Athletics. However, those forays are brief and ultimately serve to underscore some point or issue pertaining to the 2011 season. La Russa does share some of his feelings about members of the press, most of whom he doesn’t care for. But here, once again, he doesn't dwell, only glossing over heated confrontations with annoying sportswriters before jumping headlong once more into the intricacies of managing the Cardinals to ultimate victory. 

A baseball exposé that keeps the focus squarely inside the ballpark.

Pub Date: Sept. 25, 2012

ISBN: 978-0-06-220738-8

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 13, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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