There’s little original in a centurieslong battle between good and evil when neither side is wholly bad or good and that...
The Blood Countess Elizabeth Bathory’s two lines of descendants have waged war for centuries, and it’s up to one young woman with extraordinary powers to bring an end to the bloodshed.
In her ill-conceived follow-up to The Progeny (2016), Lee brings back Everygirl Audra Ellison, a 21-year-old who just happens to be the most powerful member of the Progeny, the race of Bathory kin who are under constant threat from the other line, the Scion, or Hunters. Audra had her memory intentionally wiped—Hunters are wont to steal those and Progeny know all the good Bathory dirt—but she knows about her new baby daughter, Eva, whose father, Luka, is Audra’s hunter-turned-husband. Also with her Progeny pals Jester, Claudia, and Piotrek, as well as Rolan the heretic monk, Audra bounces around Eastern Europe at a frenetic pace, trying to stay one step ahead of the ultimate Scion, the Historian, who wants Bathory’s diary and genealogical information in an effort to wipe out the Progeny for good. With chase scenes worthy of a low-budget action thriller, made even less plausible by Audra’s increasingly enhanced powers of persuasion that allow her to elude capture like a superhero, the group zips from Budapest to Bratislava as news of Audra’s newly discovered status as a Firstborn, a direct Bathory descendent, makes her a bigger target for both destruction and adulation. Hellbent on identifying and destroying the Historian, Audra must try to put aside her personal feelings in order to serve the greater good.
There’s little original in a centurieslong battle between good and evil when neither side is wholly bad or good and that gray area is meant to be revelatory.Pub Date: Feb. 28, 2017
ISBN: 978-1-4767-9867-7
Page Count: 336
Publisher: Howard Books/Simon & Schuster
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
A scheming rival and an obsessive fan convince a TV star that she's a long way from Kansas—in more sudsy romantic suspense from Roberts (Honest Illusions, 1992). Deanna Reynolds and Angela Perkins are both smart, talented, attractive, and ambitious. The big difference between the two talk- show hosts is that Angela is an attention-hungry woman desperate to maintain her fading charms and worshipful audience at all costs, while Dee maintains her Midwestern values even as her Chicago-based show makes her a star and threatens Angela's in New York. Angela, who was once Dee's mentor, has never forgiven the younger woman for turning down her offer to come to New York with her. Even less forgivable is Dee's romance with Finn Riley, a footloose foreign correspondent and once Angela's lover. Finn, who coolly calls in exclusives from a crash-landing 747, shrugs off a bullet wound while he broadcasts live during a shootout, and indisputably earns the nickname "Desert Hunk" during the Gulf War, finds his match in the unbelievably beautiful, desirable, and sweet Deanna. While the two make seismic love on any available surface and Angela plots Dee's downfall in the ratings, a secret admirer (whose identity is more obvious than the author must have intended) writes her love notes. Then, one by one, he begins to kill off all the people who have hurt or betrayed her—and attempts to realize his insane dream of making Deanna entirely his own. A sexy hero whose no-nonsense presence cuts through the vapors and cattiness of the womenfolk and a convincing behind-the-scenes look at TV—both help make up for the weak humor, implausible plot, and trite glitz of this predictable novel.
Pub Date: July 1, 1993
ISBN: 0425190382
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.
The director of admissions at a prestigious private school attempts to balance her job, her family, and her love life in Frank and Youmans’ debut.
Once upon a time, Josie Bordelon was walking the catwalk as a sought-after fashion model. Now that she’s almost 40, she’s the director of admissions at Fairchild Country Day School, an ultraprestigious private school in San Francisco. Josie’s used to being the only black woman in a largely white male–dominated field, and after all these years, she knows what to expect from her job—overscheduled children, pushy parents, and a boss who wants to undermine her. While she may be killing it at work, her personal life is another story. She hasn’t had a serious boyfriend in years, much to the chagrin of her Aunt Viv and her best friend, Lola. It’s too bad that the only man who’s caught Josie’s eye lately is a married and gay dad of a prospective student. And even though Josie just wants her daughter, Etta, to attend an Ivy League college and major in something practical, Etta insists she wants to follow her ballet dreams and study dance at Julliard. But it turns out that Etta’s career goals aren’t the only shock Josie’s about to face—her job, her romantic life, and her own Aunt Viv have plenty of surprises up their sleeves. While Josie’s budding relationship is certainly interesting, it takes a back seat to the rest of the plot, and it never quite gets the chance to blossom. The book shines, however, when it comes to the Bordelon women, especially Josie’s hardworking and hilariously meddling Aunt Viv, who clearly loves Josie and Etta more than anything. The family’s bond comes across vividly on the page, manifesting in sometimes-gentle and occasionally not-so-gentle banter among the three women. Frank and Youmans create strong voices even for the side characters, like Josie’s no-nonsense teacher BFF, her quick-witted assistant, her clueless boss, and Etta’s snooty ballet teacher.
A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.Pub Date: May 5, 2020
ISBN: 978-0-593-08502-8
Page Count: 336
Publisher: Putnam
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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