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EYES RIGHT

CONFESSIONS FROM A WOMAN MARINE

Honest and unsparing, though sometimes repetitive, this memoir is at its best when exploring the challenges faced, and...

A frank account of a woman’s rapid rise and scandalous fall in the Marines during the Reagan era.

Crow (Creative Writing/Eckerd Coll.) begins in an interrogation room where she was being questioned in preparation for a potential court-martial on charges of conduct unbecoming an officer. The author returns to this room, and that time period, intermittently throughout the book. Otherwise, the story progresses in roughly chronological order: Crow’s entrance into the Marines as a teenager seeking to escape alcoholism (her own and her father’s); her successful career as a military journalist; her personal struggles with marriage and motherhood. A particularly strong theme is the way the military was unable to see beyond her unmistakably feminine body: “Despite the personal challenges I had overcome—alcoholism, self-loathing, laziness—I could never defeat the signals my body sent the world.” Crow’s response to sexism and harassment was to starve herself to make weight and ignore a serious health problem in order to complete an assignment—a decision that had devastating consequences. By the end of the book, what seemed like shocking conduct at the beginning is placed in the context of the author’s drive for a life with purpose, and we see that the decision she made to resolve her situation is a true sacrifice on her part. At times the author’s prose is stilted, and she often relies too heavily on a few phrases (e.g., “hot blood,” “too-tight bra”).

Honest and unsparing, though sometimes repetitive, this memoir is at its best when exploring the challenges faced, and sacrifices demanded, by women in the armed forces.

Pub Date: April 1, 2012

ISBN: 978-0-8032-3504-5

Page Count: 224

Publisher: Univ. of Nebraska

Review Posted Online: Jan. 23, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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