Novelist Daugherty (What Falls Away, 1996) takes us back to turn-of-the-century Oklahoma for a historical morality play about power and the creation of new societies. In later years, Harry Shaughnessy would have been called a Red-diaper baby. Although his pious mother Annie Mae was too Catholic to have much in the way of political convictions, his father Andrew became a Socialist and a labor organizer at an early age and raised his boy to believe more devoutly in the coming Triumph of the Working Man than most children believe in Santa Claus. So effective was Andrew’s influence on young Harry, in fact, that before he was even ten the boy became an accomplished orator, addressing socialist conventions and meeting-halls from one end of Oklahoma to other. A child at the podium was a good draw, as Andrew Shaughnessy knew—the novelty would supply the audience, and a boy could get away with saying more than the police and the mine owners would allow from a grown man. For decades, Oklahoma had been run by the mines more or less as one big company town, and now that statehood had been achieved, the authorities were tightening the screws even further. Like his heroes Eugene Debs and Big Bill Haywood, young Harry set out to let the man in the street know when he was getting the short end of the stick. But, like Debs, he underestimated the power of patriotism, eventually finding himself facing prison for refusing to serve in WWI. A good-hearted local politician tries to give Harry some advice: “The State’s changing, kid. Modernizing . . . Socialism has reached the end of its trail.” But Harry’s a true believer and, like all saints, destined for martyrdom. By the time it comes, it’s not much of a surprise. Hokey and pious, written with all the depth of a catechism and all the color of a tract.
Pub Date: March 15, 1999
ISBN: 0-87074-433-X
Page Count: 264
Publisher: Southern Methodist Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
Categories: HISTORICAL FICTION
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Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Categories: HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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