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BLACK COFFEE

Points for honesty and grit, though that’s hardly enough to compensate for all the flaws.

A Desert Storm veteran's amateurish and overwritten, if not without a certain rakish appeal, first novel—about African-Americans in the military—pulls few punches in depicting the tribulations of First Lieutenant Sanderella Coffee.

Twenty-nine and just back from a tour of duty in Germany, Sanderella is focused on her illustrious goal—biding her time in Virginia until she’s admitted to Officers’ Candidate School. A single mother of three (by three fathers), Sanderella admits that when matters veer toward love, she’s not the sharpest knife in the drawer. So she swears off men—that is, until she catches sight of Drill Sergeant Romulus Caesar. As the story alternates between the voices of Sandie and Rom (so seamlessly it’s often difficult to tell who’s talking), the two begin a passionate affair, despite Romulus being married, with twin boys at home. He promises Sandie he’ll divorce, and for a certain time their relationship seems promising. The two, neither of them particularly likable, build a supportive relationship, one that helps carry Sandie through hard times: Her older sister has HIV, both of her parents are ill, her superior officer has it in for her, and, to top it off, she discovers she’s pregnant. Unfortunately coinciding with Sandie’s pregnancy is the appearance of Rom’s guilty conscience. He decides to break it off and return to his wife and sons, not wanting to be the kind of absent parent his father was to him. Though overloaded with uplifting convictions as to the potential of the African-American community, a certain raw honesty in the depiction of Sandie and her family redeems the obvious sentiments. Less forgivable is the language, too often ungoverned and unintentionally silly: “ ‘Sandie,’ he said as he reached inside his briefs and carefully extracted his family jewels, ‘this is Mr. Bobo. And he’s all yours.’ ”

Points for honesty and grit, though that’s hardly enough to compensate for all the flaws.

Pub Date: Jan. 15, 2002

ISBN: 0-375-75777-5

Page Count: 336

Publisher: Villard

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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THE COFFIN DANCER

Lincoln Rhyme, the quadriplegic criminalist of The Bone Collector (1997), returns to confront the uncannily resourceful killer who’s been hired to eliminate three witnesses in the last hours before their grand jury testimony. The first witness is no challenge for the Coffin Dancer, so dubbed after his distinctive tattoo: He simply plants a bomb on Hudson Air pilot/vice-president Edward Carney’s flight to Chicago and waits for the TV news. But Ed’s murder alerts the two other witnesses against millionaire entrepreneur-cum-weapons-stealer Phillip Hansen, and also alerts the NYPD and the FBI that both those witnesses—Ed’s widow, Hudson Air president Percey Clay, and her old friend and fellow-pilot Brit Hale—are on the hot seat. With 45 hours left before they’re scheduled to testify against Hansen, they bring Rhyme and his eyes and ears, New York cop Amelia Sachs, into the case. Their job: to gather enough information about the Coffin Dancer from trace evidence at the crime scene (for a start, scrapings from the tires of the emergency vehicles that responded to the Chicago crash) to nail him, or at least to predict his next move and head him off. The resulting game of cat and mouse is even more far-fetched than in The Bone Collector—both Rhyme and the Dancer are constantly subject to unbelievably timely hunches and brain waves that keep their deadly shuttlecock in play down to the wire—but just as grueling, as the Dancer keeps on inching closer to his targets by killing bystanders whose death scenes in turn provide Rhyme and Sachs with new, ever more precise evidence against him. Fair warning to newcomers: Author Deaver is just as cunning and deceptive as his killer; don’t assume he’s run out of tricks until you’ve run out of pages. For forensics buffs: Patricia Cornwell attached to a time bomb. For everybody else: irresistibly overheated melodrama, with more twists than Chubby Checker. (First printing of 100,000; Literary Guild main selection)

Pub Date: Aug. 1, 1998

ISBN: 0-684-85285-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1998

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COLLECTED STORIES

Twenty-six tales by the 1982 Nobel Prize Winner, rearranged in roughly chronological order of writing. From the 1968 collection No One Writes to the Colonel come stories of the town of Macondo—about the much-delayed funeral of local sovereign Big Mamma, a dentist's revenge on the corrupt Mayor (extraction sans anesthetic), a priest who sees the Devil, a thief who robs the pool hall of its billiard balls. But the collection's standout—its title novella—is not included here. Likewise, the long title piece from the Leaf Storm collection (1972)—also about a Colonel—is omitted; but it does offer "The Handsomest Drowned Man in the World" and other beguiling fantasies. And, from 1978's Innocent Erendira And Other Stories comes an uneven mix of mystical fable and diffuse surrealism (some pieces dating, before English translation, from the 1940s or '50s). Much that's brilliant, some that's merely strange and fragmentary, and almost all enhanced by the translations of Gregory Rabassa and S. J. Bernstein.

Pub Date: Oct. 31, 1984

ISBN: 0060932686

Page Count: -

Publisher: Harper & Row

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Sept. 15, 1984

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