Blue’s self-published sensation—it has reportedly sold 65,000 copies—shows a bright young woman fighting her way out of New York’s meanest streets, only to return and try to save the man she loves.
With an unknown father and a junkie prostitute mother, hazel-eyed Silver Jones learns at an early age to defend herself and look after her friends. These include Chance Haze, a soulful but troubled boy shuffled from one abusive foster home to another. The two kids are inseparable until Chance is carted off to juvenile detention after killing another boy in a street fight. When her mother is brutally murdered by a serial killer, Silver is forced to live with her grandmother, a vicious woman who beats her and drinks. She escapes to stay with her mother’s old friend Birdie, a transsexual ex-hooker, but flees when Birdie’s rough-trade boyfriend tries to assault her. Out in the streets, she runs into Chance, now a low-level gangster. They fall in love, but he breaks up with her after he finds out she has won a scholarship to Spellman, believing that his lifestyle would hinder her. Heartbroken, Silver nevertheless excels in college and returns to New York to attend NYU Medical School. She reunites with Chance, who is now a high-powered drug lord, but in her eyes will always be the same sweet boy she befriended at age 11. They get engaged, and Chance vows to go straight. But he quickly finds out it’s not so easy. Longtime partner Hollis, a hotheaded psycho who wants to take over the business, sets Chance up, getting him nearly killed and then arrested. Silver assembles a crew of old Harlem friends and executes an intricate plot to take down Hollis and free her man. Blue’s clunky dialogue runs the gamut from corny and sentimental to wickedly profane, but it’s hard not to root for his feisty heroine, who never once plays the victim.
A lurid, gripping debut.Pub Date: Oct. 1, 2006
ISBN: 0-345-49264-1
Page Count: 352
Publisher: One World/Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Categories: LITERARY FICTION
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Categories: LITERARY FICTION
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