A somewhat disjointed narrative with flashes of brilliant storytelling and acute observations on South African culture.
The host of The Daily Show reflects on his tumultuous South African childhood.
In a gritty memoir, Noah relates his harsh experiences growing up during the final years of apartheid and the chaotic and racially charged conflicts that would continue to undermine the newly won freedom that was established in its aftermath. His story unfolds through a series of loosely assembled essays that touch on his home life and school environment and later expand outward to various cities and neighborhoods and his encounters with petty crime and confrontations with domestic violence. Throughout, the author documents the evolving yet continually challenging race relations among blacks, whites, and “coloreds.” Noah was born the son of a white Swiss-German father and a devoutly Christian black Xhosa mother who purposely chose to have a child through a mixed relationship, with full understanding of the legal ramifications established under the Immorality Act of 1927, which banned illicit carnal relations between a native woman and a European male. Noah’s mother proved to be the dominant, remarkable force throughout his life, constantly striving to instill deep values of education, religion, and freedom as she struggled with her own desire for independence. “Perhaps even more amazing is the fact that my mother started her little project, me, at a time when she could not have known that apartheid would end,” writes the author. “There was no reason to think it would end; it had seen generations come and go. I was nearly six when Mandela was released, ten before democracy finally came, yet she was preparing me to live a life of freedom long before we knew freedom would exist.” On the whole, though studded with insight and provocative social criticism, Noah’s material doesn’t feel fully digested. As an accomplished adult humorist looking back to his childhood self, the attempt to inject a humorous tone into these grim proceedings frequently hits an awkward note.
A somewhat disjointed narrative with flashes of brilliant storytelling and acute observations on South African culture.Pub Date: Nov. 15, 2016
ISBN: 978-0-399-58817-4
Page Count: 304
Publisher: Spiegel & Grau
Review Posted Online: Sept. 21, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
SEEN & HEARD
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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