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RETRIBUTION

A US MARINE'S FIGHT FOR JUSTICE, FROM THE RUSSIAN GULAG TO UKRAINE'S FRONT LINES

A powerful memoir, especially for its close-up portrait of life in a gulag.

Fighting for a cause—and for payback.

Born in Texas in 1991, Reed grew up in California. Joining the Marines after high school, he was chosen to be one of the guards at Camp David and was photographed with President Obama. After the Marines, he worked for a company providing security to State Department personnel overseas. On an online dating site, he met Lina, a Russian woman. They became close; he decided to join her in Moscow and learn the language. One evening, with a group of Lina’s friends, he became drunk and aggressive and was taken to a police station to sober up. He was charged with assaulting the arresting officers. Remanded to custody awaiting trial—at which he was found guilty despite no proof of the crime—Reed began his experience with the Russian penal system. With the help of co-author DeFelice, he describes his ordeal in direct, vivid prose. “Two of the twenty or so guards at the prison were decent, one probably because he was being bribed,” he writes. “The rest were bastards to the nth degree, going out of their way to treat inmates like dirt. The system itself breeds contempt and sadistic behavior.” Reed found that the Russian mafya—career criminals—were the key to surviving prison life, providing contraband, including cell phones and a communications network that kept him in touch with Lina and his parents. Reed refused to cooperate with his jailers and went on hunger strikes. Meanwhile, his parents lobbied the government, and after three years, he was exchanged for a Russian arms dealer. Back home in the U.S., he decided to seek his revenge: He’d go to Ukraine to join the fight against Russia. “The Russians had stolen nearly three years of my life,” he writes. “I was going to make them pay.” What ensues is his quest to do the right thing, no matter the cost.

A powerful memoir, especially for its close-up portrait of life in a gulag.

Pub Date: Jan. 27, 2026

ISBN: 9780063428546

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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