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AN OBVIOUS ENCHANTMENT

Uninspired, sometimes plain clunky prose, but, as the story’s mysteries unfold, Malarkey raises intriguing questions about...

Malarkey's debut has the elements of a romance novel—chiseled hero, headstrong heroine, tropical island—but its curiosity about love, both Eros and agape, raises it a teeny notch above formula fiction..

Ingrid Holtz, beautiful anthropology grad student, is intellectually smitten with enigmatic Professor Nick Templeton, though it isn't clear to her whether her interest is due to his intriguing theory that Islam was brought to Africa centuries earlier than thought or whether it's because she sees in him a potential stand-in father. (Ingrid is all but an orphan: her mother died before Ingrid could remember her, and though her father, a physics-professor, survived a lightning strike, it's clear from our one meeting with him that his paternity electrons got seriously rejiggered.) Templeton, as story opens, has gone missing, and Ingrid, just back from Egypt, gets a grant to pursue him—and his theory—on an island off the coast of Kenya. This is a place that functions, at least in Malarkey's construction, as a kind of curriculum-free university for debauched whites who are served by a staff of natives, themselves not exempt from the debauchery. The faculty, if there's one at all, consists of a few wise souls, white and non-, while at the center of all is the Salama Hotel, a sparkling institution whose main purpose is to serve alcohol round-the-clock and provide a tidy place for the debauchery to thrive. Templeton, however, is nowhere to be found: he's as elusive as smoke, though everyone knows him. To allay her frustration and boredom, Ingrid drinks in midday and pursues Finn Bergmann, only son of the hotel's late creator and almost too attractive to believe: a Swedish Fabio who's as enigmatic as Ingrid is an open book.

Uninspired, sometimes plain clunky prose, but, as the story’s mysteries unfold, Malarkey raises intriguing questions about the actions that passions drive us to—with profound or searing consequences.

Pub Date: Aug. 1, 2000

ISBN: 0-375-50409-5

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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