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THE GRANDEST STAGE

A HISTORY OF THE WORLD SERIES

A grand entertainment for every baseball fan.

New York Times sportswriter Kepner hits a lively history of baseball’s premier event out of the park.

The author modestly writes that his book is “a history, not the history,” of “the most wonderful time of the year.” It decidedly isn’t wonderful for some players who figure in his pages, such as Dodgers catcher Mickey Owen, who flubbed a breaking ball during the 1941 Subway Series and cost his team the whole shebang. “The fans never forgot the error,” writes Kepner, while Owen allowed, “I was just dumb. I should have been ready for it.” Still, there are second acts in life, and Owen started a baseball camp from which a certain Michael Jordan graduated in 1976. An aging Casey Stengel was unceremoniously fired for not starting Whitey Ford against the Pirates in the 1960 World Series, something no Yankees coach would ever again do as long as Ford played. Chalk some of it up to the yips, as when MVP Mike Schmidt “let himself fail repeatedly off a soft-tossing Scott McGregor, an ancient Jim Palmer, and a rumpled middle reliever named Sammy Stewart.” Crises of confidence aside, Kepner serves up plenty of solid counterexamples, such as the aforementioned Jim Palmer, who, when he was 20, “earned a distinction that will probably stand forever: youngest pitcher to throw a World Series shutout.” There’s plenty of agony and ecstasy for all baseball lovers and a few surprises as well. Only the most trivia-masterful readers will know, for example, that country singer Charley Pride once pitched in the Negro League; or that President George W. Bush pitched a perfect strike to open the 2001 World Series, just after 9/11, as if to say to the terrorists, as Yankees catcher Todd Greene recalls, “You’re not going to intimidate us and make us crawl in a hole.”

A grand entertainment for every baseball fan.

Pub Date: Oct. 11, 2022

ISBN: 978-0-38554-625-6

Page Count: 336

Publisher: Doubleday

Review Posted Online: Oct. 4, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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