A riveting, dramatic story that effectively repudiates the notion of lawbreakers as immoral or inhuman.
A poor villager assumes a dead woman’s identity and affluent life in Lagos, Nigeria, in Akpabio Umoren’s novel.
Inyene Okon couldn’t make ends meet in Lagos, where the cost of living was too high. But reuniting with a former boyfriend in her village doesn’t pan out; he rejects her, despite being pregnant with his child, because she’d had to work as a prostitute to cover expenses. Humiliated, she heads back to Lagos, but the bus in which she’s riding is in a serious accident that only a few passengers, including Inyene, survive. The injured woman’s taken to a hospital and later awakens to realize that she’s been mistaken for fellow passenger and look-alike, Etima. Inyene, with a bandaged face, figures that she can be Etima at least until she’s healed, but growing suspicions from Etima’s family don’t make it easy. Inyene’s attempt to pass herself off as Etima isn’t as implausible as it sounds: Bandages partially disguise her features, and head trauma as well as a doctor’s diagnosis of “a mild degree of amnesia” can explain anything she doesn’t know. However, Etima’s family quickly has doubts, especially her youngest sister, Ekemini, who immediately questions Inyene’s dialect—she speaks nearly incomprehensible pidgin English while Etima’s English was apparently impeccable. Shortlisted for the Nigeria Prize for Literature for her play Perfect Mother, Akpabio Umoren develops an abundance of sympathy for Inyene, whose decision to steal an identity comes not from vindictiveness but desperation. Her hero is also saddened to know that, since the fiery accident burned the bodies, her family back home will likely believe she’s dead. In a strange but fascinating turn, Etima’s family, though legally the victims, behave as villains: More than one member accuses Inyene’s family of collusion without any evidence while Ekemini tests Inyene with endless questions like an interrogator. The book’s final part is decidedly more intense, as an anxious Inyene goes on the run and her village friend and Lagos roommate, Elizabeth, on the hunt for a possibly-still-living Inyene, is unknowingly being trailed by a private investigator.
A riveting, dramatic story that effectively repudiates the notion of lawbreakers as immoral or inhuman.Pub Date: March 19, 2019
ISBN: N/A
Page Count: 276
Publisher: Dog Ear Publisher
Review Posted Online: Sept. 18, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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