ALL THE DEAR LITTLE ANIMALS

Three children spend a day burying dead creatures in this New Zealand import originally from Sweden.

This perspicacious observation of how children copy adult behavior in their play is also a hilarious spoof on the overtly pious funeral industry. Esther, her younger brother Puttie, and the unnamed narrator have “nothing to do” one day. Finding a dead bumblebee, Esther declares they must bury it, but the narrator is leery of touching it, being afraid of death, and so instead offers to write the poem: “A dear little life in the hand / Suddenly gone, deep in the sand.” Little Puttie, completely in the dark about death, is upset when Esther tells him he too will die when he is “an old man.” “But Mummy and Daddy will be so sad,” he whimpers. After the success of the bumblebee interment, Esther is enthused about burying “all the poor dead animals,” and the children start “Funerals Ltd.,” phoning neighbors for dead pets and scouring the bushes and byways for roadkill. The story cleverly—and tenderly—pivots near its end, giving it a touching depth (with a twist). Eriksson’s keenly observed illustrations include full-page and double-page spreads as well as spots, and they are as wickedly hilarious as the text in their understated expressions and details. An abundance of soft springlike colors present a visually humorous juxtaposition to the morbid theme. The children are illustrated as White.

Dark and hilarious. (Fiction. 7-12)

Pub Date: March 3, 2020

ISBN: 978-1-776572-89-2

Page Count: 72

Publisher: Gecko Press

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new...

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THE ONE AND ONLY IVAN

How Ivan confronts his harrowing past yet stays true to his nature exemplifies everything youngsters need to know about courage.

Living in a "domain" of glass, metal and cement at the Big Top Mall, Ivan sometimes forgets whether to act like a gorilla or a human—except Ivan does not think much of humans. He describes their behavior as frantic, whereas he is a peaceful artist. Fittingly, Ivan narrates his tale in short, image-rich sentences and acute, sometimes humorous, observations that are all the more heartbreaking for their simple delivery. His sorrow is palpable, but he stoically endures the cruelty of humans until Ruby the baby elephant is abused. In a pivotal scene, Ivan finally admits his domain is a cage, and rather than let Ruby live and die in grim circumstances, he promises to save her. In order to express his plea in a painting, Ivan must bravely face buried memories of the lush jungle, his family and their brutal murder, which is recounted in a brief, powerful chapter sure to arouse readers’ passions. In a compelling ending, the more challenging question Applegate poses is whether or not Ivan will remember what it was like to be a gorilla. Spot art captures poignant moments throughout.

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new generation of advocates. (author’s note) (Fiction. 8-12)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-199225-4

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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