by Ulf Nilsson ; illustrated by Eva Eriksson ; translated by Julia Marshall ‧ RELEASE DATE: March 3, 2020
Dark and hilarious.
Three children spend a day burying dead creatures in this New Zealand import originally from Sweden.
This perspicacious observation of how children copy adult behavior in their play is also a hilarious spoof on the overtly pious funeral industry. Esther, her younger brother Puttie, and the unnamed narrator have “nothing to do” one day. Finding a dead bumblebee, Esther declares they must bury it, but the narrator is leery of touching it, being afraid of death, and so instead offers to write the poem: “A dear little life in the hand / Suddenly gone, deep in the sand.” Little Puttie, completely in the dark about death, is upset when Esther tells him he too will die when he is “an old man.” “But Mummy and Daddy will be so sad,” he whimpers. After the success of the bumblebee interment, Esther is enthused about burying “all the poor dead animals,” and the children start “Funerals Ltd.,” phoning neighbors for dead pets and scouring the bushes and byways for roadkill. The story cleverly—and tenderly—pivots near its end, giving it a touching depth (with a twist). Eriksson’s keenly observed illustrations include full-page and double-page spreads as well as spots, and they are as wickedly hilarious as the text in their understated expressions and details. An abundance of soft springlike colors present a visually humorous juxtaposition to the morbid theme. The children are illustrated as White.
Dark and hilarious. (Fiction. 7-12)Pub Date: March 3, 2020
ISBN: 978-1-776572-89-2
Page Count: 72
Publisher: Gecko Press
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Ulf Nilsson ; translated by Julia Marshall ; illustrated by Gitte Spee
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PERSPECTIVES
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: Sept. 26, 2023
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Aaron Reynolds ; illustrated by Peter Brown
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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