by Ulysses S. Grant ; edited by Elizabeth D. Samet ‧ RELEASE DATE: Nov. 6, 2018
This is the edition that serious students of the Civil War, and Grant’s role in it, will want. Indispensable.
A new edition, with thorough commentary, of the memoirs of an American Caesar—and indeed, a book long reckoned to be America’s version of The Gallic Wars.
Ulysses S. Grant (1822-1855) began his military career without much promise but distinguished himself in combat in the Mexican-American War, where, as he recounts, he came into contact with many of his future opponents in the Civil War. His legendary service in the Western theater of operations, and later as commander of the entire Union Army, led to his election and re-election as president, but all that did not save him from being bilked by a business partner—and thus this memoir, which none other than Mark Twain convinced him to publish to provide for his soon-to-be-widow, since Grant was already ill with cancer. As editor Samet (English/West Point; No Man's Land: Preparing for War and Peace in Post–9/11 America, 2014, etc.) notes, rumors immediately emerged that Twain had ghostwritten it. In fact, Grant labored endlessly on this massive book, which, writes Samet, “is the artifact that does justice to his achievement as the leader of an army that preserved a nation and emancipated four million people.” Grant’s writing is simple and unadorned, though those who read between the lines will see that he is nothing if not politically astute. His account of the political troubles of William Tecumseh Sherman for offering the same mercies as he had to the vanquished Confederate forces is a model of understatement—though, he adds, “the feeling against Sherman died out very rapidly, and it was not many weeks before he was restored to the fullest confidence of the American people.” If anything, Samet might be criticized, gently, for being too vigorous in annotation; an early disquisition on the French and Indian War, for instance, is orders of magnitude longer than the aside of Grant’s that prompted it, and it begs to be reined in. Nonetheless, for Civil War buffs, this is a must-read.
This is the edition that serious students of the Civil War, and Grant’s role in it, will want. Indispensable.Pub Date: Nov. 6, 2018
ISBN: 978-1-63149-244-0
Page Count: 1024
Publisher: Liveright/Norton
Review Posted Online: Aug. 12, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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