A thoughtful, sidelong approach to the worst moment in Germany’s history that invites us to understand how decent people...

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CHILDREN AND FIRE

Hegi (The Worst Thing I’ve Done, 2007, etc.) probes the moral dilemmas facing ordinary Germans in the early days of Hitler’s Third Reich.

“No no not now. Away with this.” That’s the refrain of schoolteacher Thekla Jansen whenever she comes across some unpleasant reminder of the new state of things. Prayers addressed to the Führer, German classics banned from the classroom then burned in the streets, Jewish students and teachers barred from school—this is all temporary, Thekla tells herself. Soon people will come to their senses, and Fräulein Siderova, the beloved mentor who inspired Thekla to become a teacher, will get back her fourth-grade class—the class Thekla is now teaching because she was desperate for a job. These are the kinds of choices the new regime forces on people, Hegi shows us. Will Thekla’s initial betrayal, relatively easy to justify, lead to worse? Hegi builds toward the answer by interweaving Thekla’s musings over the course of a single day—Feb. 27, 1934, one year after the Reichstag burned—with the story of her birth in 1899 and her unsuspected paternity, which may put her in danger. But plot is not paramount in a narrative focused on Thekla’s odyssey toward knowledge about herself. She’s a superb teacher, we see in the classroom scenes, which show her gently encouraging her students to love learning and to think for themselves. But the pressures of the outside world cannot be escaped; when one student repeats his antifascist father’s comments about “that damn Austrian,” Thekla is quick to reprimand the boy for swearing, in hopes that the other students will remember that, and not his father’s dangerous remark. Such half-measures will not long suffice, and readers will hope that Hegi’s appealing protagonist does the right thing.

A thoughtful, sidelong approach to the worst moment in Germany’s history that invites us to understand how decent people come to collaborate with evil.

Pub Date: May 1, 2011

ISBN: 978-1-4516-0829-8

Page Count: 288

Publisher: Scribner

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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