An exceptionally erudite, if sometimes textbooklike, portrait of a key point in a region’s history.
A historical thriller about the turbulent politics of the Middle East and the oil industry.
As the war between Iraq and Iran finally comes to a close in the late 1980s, the region braces itself for a seismic shift of the old order. Iran is increasingly isolated, and a victorious Iraq is brokering a nonaggression pact with Saudi Arabia—a maneuver meant to contain whatever threat Iraq might pose to the OPEC oil cartel. Meanwhile, a secret supranational group that calls itself “The Symposium” works behind the scenes to protect the Persian Gulf area from political excesses and attempts to orchestrate the overthrow of King Fahd of Saudi Arabia. However, Israeli intelligence uncovers their existence, and Iraqi leader Saddam Hussein soon funnels that information to Fahd. At the heart of the chaos is Jim Blackburn, an American energy consultant with strong ties to the intelligence community, as his father worked for the CIA. He tries to disentangle the skein of Middle Eastern political alliances for his clients, but he realizes that he’s stumbled onto information of geopolitical significance when The Symposium takes him into their confidence. The global situation is further complicated when a consortia of public and private Japanese interests attempts to assert itself within the international oil industry. Author Zanoyan (The Doves of Ohanavank, 2014, etc.) was once a global energy consultant, like his protagonist, and his deep knowledge of the sector’s economics and Middle Eastern politics is breathtaking. For example, readers learn, through Jim’s gimlet-eyed wisdom, that any economic contest over petroleum is always much more that it seems: “It is a game to gain dominance over each other,” says Jim at one point. “It is a game to become economically more powerful—more powerful than not only our adversaries, but also our allies.” But although the story is relentlessly paced and brimming with historical insight, it’s also exasperatingly complex, and some readers will find the long dialogue exchanges about economic theory to be exhausting. Zanoyan does provide some respite with Jim’s romantic exploits, though, which are impressive and artfully chronicled. Overall, this will undoubtedly be a feast for anyone who’s hungry for knowledge about the Middle East, even though it sometimes feels less like a novel than it does an academic primer.
An exceptionally erudite, if sometimes textbooklike, portrait of a key point in a region’s history.Pub Date: Nov. 29, 2016
ISBN: 978-0-9983924-0-0
Page Count: 370
Publisher: Gampr Books
Review Posted Online: Feb. 2, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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