With spellbinding twists and turns, this is a political novel and very much a feminist one.
As mythological women like Circe and Ariadne find their ways onto the bookshelves, here comes a reimagining of Kaikeyi, an interesting antihero.
She was one of the most despised queens of Indian mythology, pitting herself against the gods in the epic poem the Ramayana. A pivotal character, Kaikeyi demands that Rama be sent into exile to delay his ascent to the throne. Patel recasts the Ramayana as a power struggle between women who want to participate in politics and public service and men who would rather they stay home, obedient and subservient. Patel begins her novel with the wrenching moment when young Kaikeyi, only daughter to the king of Kekaya, wakes up to find her mother has been banished with no explanation. In her absence, Kaikeyi decides to develop herself as a warrior. We feel her pain when her twin brother, Yudhajit, tells her she's more a brother than a sister to him: “Don’t take offense. It’s a compliment. Who wants to be a woman?” Soon it's time for her to marry, and her father, who rarely speaks to her, demands she wed the childless Dasharath, king of Kosala, who lives far away in the city of Ayodhya. She agrees to take her place beside Dasharath’s two other wives if he promises that it will be her son who will ascend to the throne. As she comes of age, Kaikeyi learns in the palace scrolls that she has magical powers of connecting to others in a Binding Plane. There, she uses invisible strings to deepen her bonds with her husband. Then, through an intervention by the gods, the three queens give birth to four sons, Kaikeyi’s own being Bharata. She develops close relationships with each boy, including the true heir to the throne, the great Rama, who calls her ma. The young prince is immature, confused by his own divine powers and the conservative stewardship of a holy man. Kaikeyi's desire to teach him the consequences of youth and patriarchy leads to a showdown between them. Patel’s Kaikeyi is not a spiteful woman who wants to place her son Bharata on the throne for her own power. Instead, she is afraid of the growing influence of godmen in her kingdom. She is a revolutionary who attempts to be an equalizing figure, trying to find a balance for her citizens in a patriarchal kingdom.
With spellbinding twists and turns, this is a political novel and very much a feminist one.Pub Date: April 26, 2022
ISBN: 978-0-759-55733-8
Page Count: 432
Publisher: Redhook/Orbit
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
For connoisseurs of speculative fiction who enjoy detailed worldbuilding.
In the near future, the world is run by WellCorp but all is far from well.
Stephens’ debut begins in “Zone 874, Pacific Ocean, 29 Days Post-Launch,” where we find one of our two heroines, Maggie, alone and afloat in a vessel called a WellPod, which is about to serve her a so-called latte made of mushrooms and root vegetables. "When Maggie could see the brown sludge that coated the bottom of the mug, she placed it back on the coaster, triggering its descent into the table at the same time her gratitude journal slid out from a lower compartment.” A passion for worldbuilding continues to drive this story of Lenses, Devices, Injectibles, Pohvees, WellNests, EarDrums, and much, much more as we go landside and meet Maggie’s live-in partner, Noa, who works at WellCorp’s Malibu campus, where she and Maggie have been assigned a high-tech apartment. With wildfires, earthquakes, and drought having wiped out most of the rest of California, volunteering for a Pod voyage was Maggie’s only option for getting out of town—and she really needs a break to figure out what to do about her unexpected pregnancy. Oops. In chapters dated by number of days pre- and post-launch, a complicated story unfolds. One has to do with corporate malfeasance and whistleblowing at WellCorp—were the Pods really ready to launch, and is there a major storm underway? Others involve infidelities and betrayals both past and present. It’s hard to keep up with which scary threat you’re supposed to be worrying about and which characters you’re rooting for—and the constant explanations and exposition dry up the juice. The novel is happiest when preparing and serving futuristic meals. “The hatch of her NutriStation opened and Maggie reached inside for her plate. The diagram projected through her Lens mapped out the baked coconut bacon, sun-yellow cherry tomatoes cooked in lab-grown avocado oil and coated in ancient grains aside tempeh topped with a dollop of collagen- and protein-fortified macadamia nut labneh.” Sounds better than the latte, anyway.
For connoisseurs of speculative fiction who enjoy detailed worldbuilding.Pub Date: June 25, 2024
ISBN: 9781668034316
Page Count: 320
Publisher: Scout Press/Simon & Schuster
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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