A nice, new rendition of the familiar, touching story about the magic and power of belief.
The Macy’s Thanksgiving Day parade gets underway in New York with Santa sound asleep at the rear.
Susan’s mother, in charge of the parade, quickly finds a replacement, who introduces himself as Kris Kringle. Welcomed to Thanksgiving dinner with Susan, her mother, and their neighbor Fred, he proclaims that he is the actual Santa Claus. Susan wants to believe him, but her mother has real doubts. The old man is convincing as the department-store Santa, talking to a diverse group of young visitors in different languages, including sign language. Eventually a judge settles the question of whether or not he’s Santa once and for all. A story that’s been adapted to many formats from cinema to radio to television since its publication as a novella by Davies in 1947, here it’s reworked by Hill for a picture-book audience. Gray’s soft-focus illustrations retain the flavor of 1940s New York while consciously developing a diverse cast of secondary characters including an interracial family and a black judge; Susan, her mother, Fred, and Kris Kringle are white, however. A rich palette and holiday-themed borders on some of the pages add to the comforting feel of the book. Inset boxes of illustrations with fuzzy edges re-create some of the cinematic qualities of previous adaptations.
A nice, new rendition of the familiar, touching story about the magic and power of belief. (Picture book. 3-6)Pub Date: Oct. 2, 2018
ISBN: 978-1-4926-6986-9
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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