Worth’s shrewd economy and sharp observations characterize 23 poems illustrated with Jenkins’s familiar paper collages. Poems like “Kangaroo” are accessible to young children: “The trouble is, / Once born, there’s / No going back—” save for kangaroo babies, “who can / . . . by / A simple somersault / Return headfirst / To the delectable / Pocket of the dark.” Others are disarmingly sophisticated. “Snake” plumbs its subject’s coloration and movement for images: “Mottled / Mosaic / Of pebbles / Tumbled / Smoothly along, / Their slender / Landslide / Filing / Down / The narrow / Channel / Grooved by / The guiding / Head. . . . ” Jenkins’s canny, occasionally self-referential exploitation of paper to portray animal characteristics emerges in whale’s watery batik, elephant’s wrinkled hide and jellyfish’s transparent tentacles. Small trim size (22 centimeters square) renders the gutter somewhat intrusive in a few spreads, and while the image of “Wasp” practically achieves a third dimension, “Snake” seems correspondingly flat. The subject of “Bear” is its eye, “Like a fierce / Furious / Bee,” but Jenkins depicts limpid orbs. Lacking supporting material about the animals, the poet (who died in 1994) or artist, this package doesn’t soar with the poems, but just to have anything available by Worth is worth noting. (Picture book/poetry. 5-12)
Pub Date: April 2, 2007
ISBN: 978-0-374-38057-0
Page Count: 48
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 2007
Categories: CHILDREN'S GENERAL CHILDREN'S
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With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.
Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.
An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)Pub Date: Sept. 18, 2012
ISBN: 978-0761461807
Page Count: 32
Publisher: Amazon Children's Publishing
Review Posted Online: Aug. 22, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For the 90's, a handsome, well-documented collection of stories about nine uniquely American characters. In her intelligent introduction, Osborne explains their genesis ``from various combinations of historical fact, the storytelling of ordinary people, and the imagination of professional writers'' and notes that changing times put a new light on stories deriding various groups (including women and even animals). Thus her intention is to emphasize ``gargantuan physical courage and absurd humor'' and to ``bring out the vulnerable and compassionate side'' despite the stories' ``ineradicable taint of violence.'' Osborne succeeds pretty well in her intention, piecing together stories that make fine introductions to characters like Mose and Stormalong. Her approach suits Johnny Appleseed and John Henry better than it does Davy Crockett battling a panther, but she does manage to put a new slant on Pecos Bill and his bouncing bride without undermining the story (there's no question of a wife's disobedience here; Sue wants to ride Bill's horse as a test of skill). The telling is more polished than lively—Glen Rounds's irrepressible wit (Ol' Paul, the Mighty Logger, 1949) is more fun, but these versions are perfectly acceptable. McCurdy's vigorous wood engravings, tinted with lucid color, contribute a rugged frontier flavor; lively, though a bit formal in style, they suit the text admirably. Each story is introduced by source notes; a story-by-story bibliography provides a good roundup of this popular genre. (Folklore. 6-12)
Pub Date: Oct. 1, 1991
ISBN: 0-679-80089-1
Page Count: 116
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 1991
Categories: CHILDREN'S GENERAL CHILDREN'S
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