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A DUKE, THE LADY, AND A BABY

From the Rogues and Remarkable Women series , Vol. 1

A slow, almost stolid, story of how a family develops against great odds.

A woman must infiltrate her own home in order to care for her infant son after the death of her husband.

Patience is a West Indian heiress who married Colin Jordan, a proper English gentleman. Patience loved her husband, but he became remote and distant over the course of their brief marriage and died before meeting their now 3-month-old son, Lionel. Colin’s evil uncle, Markham, forcibly removes Patience from her home and sends her to Bedlam, the mental asylum, hoping to gain control of her large trust by claiming he is Lionel’s sole remaining relative. After escaping Bedlam with a friend, Patience is determined to find a way to regain control of her trust and take Lionel back to her home island, where he will be safe. Her plan is thrown into chaos with the arrival of Colin’s cousin and heir, Busick Strathmore, Duke of Repington, who inherited their home and is Lionel’s true legal guardian. Busick fires all the servants and bans Markham from the house, paving the way for Patience to disguise herself as a wet nurse for Lionel. Although Busick cares for Lionel and wants to be a good guardian, Patience can’t trust him with her secrets. Busick already believes she abandoned Lionel, and he’ll never understand the toxic mix of racism and sexism that allowed Markham to get rid of her so easily. Riley’s use of first-person narration for Patience highlights both her desperation to save her son and her ability to see how English society has failed them. Slowly, Patience learns to trust Busick, and they decide to work together to bring down Markham. The Duke’s affection for Lionel and the way the three bond as a family is the primary love story; Busick and Patience's romantic relationship as partners and lovers is underdeveloped and emotionally flat.

A slow, almost stolid, story of how a family develops against great odds.

Pub Date: June 30, 2020

ISBN: 978-1-4201-5223-4

Page Count: 320

Publisher: Zebra/Kensington

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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