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THE BOX TURTLE

Sadly, there’s not much to unpack in this box.

A young turtle’s experiences with bullying and friendship lead him on a journey of self-acceptance.

When a pair of box-turtle parents discovers that their baby is born without a shell, they don’t miss a beat. The loving parents “[give] him a name and a shell, both of which fit just right”: Terrance, in a playful nod to his species, wears a cardboard box. Terrance is perfectly happy until a trio of bullies shame him for his unusual shell. Mortified, Terrance leaves the box behind to look for something beyond reproach. Hijinks ensue during Terrance’s search for a new shell, which features the disrobed reptile and his anthropomorphic buttocks on full display. At every step of the determined turtle’s quest, Terrance’s unnamed hermit crab friend is there, supporting Terrance as he tries on box after box. After a roster of options (including a mailbox, a boombox, and a jack-in-the-box) are rejected for their slapstick effects, Terrance is downcast—until the hermit crab offers up their own tiny shell. This generous act of friendship inspires Terrance to return to his beloved cardboard box after all. Among a range of titles featuring a be-true-to-yourself message, this effort doesn’t quite stack up. Aside from its overworked story, the idea that Terrance “[is] so much more than just his shell” implies that he does have an unfortunate attribute. Such a concept does little to challenge the biases of Terrance’s bullies or the false notion that Terrance’s shell is “definitely weird.”

Sadly, there’s not much to unpack in this box. (Picture book. 5-9)

Pub Date: Feb. 11, 2020

ISBN: 978-0-73-523050-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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